French fiction -- Translations into English; Short stories, French -- Translations into English
When we left the café, it was quite dark; most of the shops were
closed, and the streets almost deserted. We crossed the Guadalquivir
by the bridge, and at the very extremity of the suburb, we stopped
in front of a house which bore no resemblance to a palace. A child
admitted us. The gypsy said some words to him in a language entirely
unknown to me, which I afterwards found was the _rommani_ or _chipe
calli_, the language of the _gitanos_. The child at once disappeared,
leaving us in a room of considerable size, furnished with a small
table, two stools, and a chest. I must not forget to mention a jar of
water, a pile of oranges, and a bunch of onions.
As soon as we were alone, the gypsy took from her chest a pack of cards
which seemed to have seen much service, a magnet, a dried chameleon,
and a number of other articles essential to her art. Then she bade me
make a cross in my left hand with a coin, and the magic ceremonies
began. It is unnecessary to repeat her predictions; and, as for her
method of operation, it was evident that she was not a sorceress by
halves.
Unfortunately we were soon disturbed. The door was suddenly thrown
open with violence, and a man wrapped to the eyes in a brown cloak
entered the room, addressing the gypsy in a far from amiable fashion.
I did not understand what he said, but his tone indicated that he was
in a very bad temper. At sight of him the _gitana_ exhibited neither
surprise nor anger, but she ran to meet him, and, with extraordinary
volubility, said several sentences in the mysterious tongue which she
had already used in my presence. The word _payllo_, repeated several
times, was the only word that I understood. I knew that the gypsies
designated thus every man of another race than their own. Assuming
that I was the subject of discussion, I looked forward to a delicate
explanation; I already had my hand on one of the stools and was
deliberating as to the precise moment when it would be well for me to
hurl it at the intruder’s head. But he roughly pushed the gypsy aside
and strode toward me; then recoiled a step, exclaiming:
“What! is it you, señor?”
I looked closely at him and recognised my friend Don José. At that
moment I was inclined to regret that I had not let him be hanged.
“Ah! is it you, my fine fellow?” I cried, laughing as heartily as I
could manage to do; “you interrupted the señorita just as she was
telling me some very interesting things.”
“Always the same! This must come to an end,” he said between his teeth,
glaring savagely at the girl.
Public-domain text, read in full here on John Shaqi.
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