French fiction -- Translations into English; Short stories, French -- Translations into English
[6] In 1830 the nobility alone enjoyed that privilege. To-day (1847)
under the constitutional _régime_, the plebeians have obtained the
privilege of the _garrote_.
[7] Ironshod staves carried by the Basques.
[8] The magistrate at the head of the police and municipal
administration.
[9] The ordinary costume of the peasant women of Navarre and the Basque
provinces.
[10] Yes, sir.
[11] Enclosure, garden.
[12] Bravoes, bullies.
[13] All the Spanish cavalry are armed with lances.
[14] Alcala de los Panaderos, a hamlet two leagues from Seville, where
they make delicious small loaves. It is claimed that their excellence
is due to the water of Alcala, and great quantities of them are taken
to Seville daily.
[15] Good-day, comrade.
[16] Most of the houses in Seville have an interior courtyard
surrounded by porticos. The inhabitants live there in summer. The
courtyard is covered with canvas, which is kept wet during the day and
removed at night. The gate into the street is almost always open, and
the passage leading into the courtyard is closed by an iron gate of
elaborate workmanship.
[17] _Mañana sera otro dia._--A Spanish proverb.
[18] A gypsy proverb.
[19] Sugared yolks of eggs.
[20] A kind of nougat.
[21] King Don Pedro, whom we call the _Cruel_, but whom Isabella
the Catholic always called the _Justiciary_, loved to walk the
streets of Seville at night in search of adventures, like the
Caliph Haroun-al-Raschid. On a certain night he had a quarrel in an
out-of-the-way street with a man who was giving a serenade. They fought
and the king slew the love-lorn knight. Hearing the clash of swords,
an old woman put her head out of a window and lighted up the scene
with a small lamp (_candilejo_) which she held in her hand. You must
know that King Don Pedro, who was very active and powerful, had one
physical peculiarity: his knees cracked loudly when he walked. The old
woman had no difficulty in recognising him by means of that cracking.
The next day the Twenty-four who was on duty came to the king to make
his report. “Sire, there was a duel last night on such a street. One
of the combatants was killed.” “Have you discovered the murderer?”
“Yes, sire.” “Why is he not punished before now?” “I await your orders,
sire.” “Carry out the law.” Now the king had recently issued a decree
providing that every duellist should be beheaded, and that his head
should be exposed on the battle-field. The Twenty-four extricated
himself from the dilemma like a man of wit. He caused the head of a
statue of the king to be sawed off, and exposed it in a recess in the
middle of the street where the murder had taken place. The king and all
the good people of Seville thought it an excellent joke. The street
took its name from the lamp of the old woman, who was the sole witness
of the adventure. Such is the popular tradition. Zuñiga tells the story
a little differently. (See _Anales de Sevilla_, vol. ii., p. 136.)
Public-domain text, read in full here on John Shaqi.
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