Psychopathology and politicsLasswell, Harold D. (Harold Dwight)
Science
Psychopathology and politics
Lasswell, Harold D. (Harold Dwight)
Personality and politics; Political science; Psychoanalysis; Psychology, Pathological
The hallmark of the agitator is the high value which he places on
the response of the public. As a class the agitators are strongly
narcissistic types. Narcissism is encouraged by obstacles encountered
in the early love relationships, or by overindulgence and admiration
in the family circle. Libido is blocked in moving outward toward
objects and settles back upon the self. Sexual objects which are like
the self are preferred, and a strong homoerotic component is thus
characteristic. Among the agitators yearning for emotional response of
the homoerotic kind is displaced upon generalized objects, and high
value is put on arousing emotional responses from the community at
large. The oratorical agitator, in contradistinction to the publicist,
seems to show a long history of successful impostorship in dealing
with his environment. Agitators differ appreciably in the specificity
or in the generality of the social objects upon which they succeed in
displacing their affects. Those who have been consciously attached
to their parents and who have been successful impostors (“model
children”) are disposed to choose remote and general objects. Those
who have been conscious of suppressing serious grievances against
the intimate circle, and who have been unable to carry off the
impostor’s rôle successfully, are inclined to pick more immediate and
personal substitutes. The rational structure tends toward theoretical
completeness in the former case. The object choices for displaced
affects depend on the models which are offered when the early
identifications are being made. When the homoerotic attitude is the
important one, the assaultive, provocative relation to the environment
is likely to display itself; when the impotence fear is active,
grandiose reactions figure more prominently.
Public-domain text, read in full here on John Shaqi.
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