The interest merited by the confirmation of our conception of speech-blunders through the great poets justifies the citation of a third example which was reported by Dr. E. Jones.[22] “Our great novelist, George Meredith, in his masterpiece, _The Egoist_, shows an even finer understanding of the mechanism. The plot of the novel is, shortly, as follows: Sir Willoughby Patterne, an aristocrat greatly admired by his circle, becomes engaged to a Miss Constantia Durham. She discovers in him an intense egoism, which he skilfully conceals from the world, and to escape the marriage she elopes with a Captain Oxford. Some years later Patterne becomes engaged to a Miss Clara Middleton, and most of the book is taken up with a detailed description of the conflict that arises in her mind on also discovering his egoism. External circumstances and her conception of honour hold her to her pledge, while he becomes more and more distasteful in her eyes. She partly confided in his cousin and secretary, Vernon Whitford, the man whom she ultimately marries, but from a mixture of motives he stands aloof. “In the soliloquy Clara speaks as follows: ‘If some noble gentleman could see me as I am and not disdain to aid me! Oh! to be caught out of this prison of thorns and brambles. I cannot tear my own way out. I am a coward. A beckoning of a finger would change me, I believe. I could fly bleeding and through hootings to a comrade.... Constantia met a soldier. Perhaps she prayed and her prayer was answered. She did ill. But, oh, how I love her for it! His name was Harry Oxford.... She did not waver, she cut the links, she signed herself over. Oh, brave girl, what do you think of me? But I have no Harry Whitford; I am alone....’ The sudden consciousness that she had put another name for Oxford struck her a buffet, drowning her in crimson. “The fact that both men’s names end in ‘ford’ evidently renders the confounding of them more easy, and would by many be regarded as an adequate cause for this, but the real underlying motive for it is plainly indicated by the author. In another passage the same _lapsus_ occurs, and is followed by the hesitation and change of subject that one is familiar with in psychoanalysis when a half-conscious complex is touched. Sir Willoughby patronizingly says of Whitford: ‘False alarm. The resolution to do anything unaccustomed is quite beyond poor old Vernon.’ Clara replies: ‘But if Mr. Oxford--Whitford ... your swans, coming sailing up the lake; how beautiful they look when they are indignant! I was going to ask you, surely men witnessing a marked admiration for some one else will naturally be discouraged?’ Sir Willoughby stiffened with sudden enlightenment. “In still another passage Clara, by another _lapsus_, betrays her secret wish that she was on a more intimate footing with Vernon Whitford. Speaking to a boy friend, she says, ‘Tell Mr. Vernon--tell Mr. Whitford.’”