Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
“While the people fought and barricaded the streets, the Court was
at St. Cloud. As for ourselves, we passed a fearful night at the
Tuileries. Our terror seemed to prolong the darkness. When the dawn
came at last, the firing was renewed, and I heard that the Hôtel
de Ville had been taken and retaken. I no doubt would have felt
grieved at all this had I been able to go away like the Court, but
that was not to be thought of. On the morning of the 29th a dreadful
tumult was heard under the windows, followed by the booming of
cannon, and dull crash of iron balls. ‘It is finished, the Louvre is
taken,’ cried my master; and clasping the little girl in his arms,
he disappeared. It was then eleven o’clock. When they had gone, I
realised that I was alone and helpless, but then it occurred to me,
there being no one here, I have no enemies, and my courage rose with
the reflection. The men outside might kill each other, and thus
expend their ammunition as fast as they chose—so much the worse for
men, and the better for Hares. {22}
[Illustration]
“I was hidden beneath the bed, for the room was invaded by soldiers,
who cried in a strange tongue, ‘Long live the King.’ ‘Cry away,’ I
said, ‘it is easy to see that you are not Hares, and that the king
has not been making game of you.’ Soon the ‘redcoats’ disappeared,
{23} and a poor man—a scholar, I believe—came and sought shelter in
my room. He had no taste for war; he therefore deposited himself in
a cupboard, where he was soon discovered by a crowd of bloodstained
ruffians, who searched everywhere, crying ‘Liberty! long live
Liberty!’ as if they had hoped to find it in some odd corner of
the Tuileries. After fixing a flag out of the window, they sung a
striking song, commencing—
“ ‘Come children of the country,
The day of glory has arrived!’
Some of them were black with powder, and must have fought as hard
as if they had been paid for it. I thought that these poor begrimed
creatures, as they kept continually shouting ‘Liberty!’ must have
been imprisoned in baskets, or shut up in small rooms, and were
rejoicing in their freedom. I felt carried away by their enthusiasm,
and had advanced three steps to join in the cry of ‘Liberty!’ when my
conscience arrested me with the question, ‘Why should I?’
“During these three days—would you believe it, my dear magpie?—twelve
hundred men were killed and buried.”
“Bah!” I said, “the dead are buried, but not their ideas!”
“Hum!” he replied.
“Next day my master came back: he had not shown himself for
twenty-four hours. He was changed—he had ‘turned his coat,’ an
operation which cost him a pang, as he had made a good thing out of
the king’s livery. Men turn their coats as easily as the wind turns
the weathercock on yonder spire. It is a mean artifice, to which we
could not descend without spoiling our fair proportions.
Public-domain text, read in full here on John Shaqi.
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