Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
The reader may feel inclined to smile at my vulgar and unpoetic
proportions, nevertheless, let me remind him that God has so framed
the world, that in the rudest and most unlikely forms among men and
beasts repose the sublimest attributes. Thus human genius is seldom
found mated with bodies of herculean type. So the sentiment of a
love-sick Penguin can never be estimated by the appearance of its too
solid body.
V.
“Suspense becomes intolerable, I can no longer bear it,” I said, and
cast myself into the sea to drown my sorrow in its mournful waves.
VI.
Unfortunately, I discovered how to swim, so my history does not end
here.
VII.
When I rose to the surface—one always rises two or three times before
drowning—yielding to my passion for soliloquies, I inquired what
right had I thus to seek to destroy myself; if the world would not
be just one Penguin worse off, had I met my end, &c. My soliloquy
was long. I was drifting many leagues straight ahead; now and
again diving with the dire resolve of going to the bottom and {63}
remaining there. But for some reason I always found myself coming
to the surface, and, to tell the truth, the air seemed all the more
refreshing after each dip. Just as my seventh attempt at suicide had
miscarried, I rose to find myself side by side with a creature whose
simple unaffectedness won my heart at first sight.
“What were you after below there, Mr. Penguin? and where are you
going?” he inquired, bowing profoundly.
“I hardly know,” I replied.
“Well,” said he, “suppose we go together.”
I willingly agreed, and on the way related my misfortunes to him.
When I had finished, he asked me if I had formed any plans for the
future. “No,” I said, “not any, still I have half a mind to travel in
search of my lady-love, the Gull.”
[Illustration]
“How came you to love a Gull? You look a large solid bird enough.
Why don’t you devote your affections to one of your own decent
stay-at-home kind? Depend upon it, the Gull, could you wed her, would
only bring grief. She is puffed out with feathers, and ever on the
wing; she would soon desert you for one of her own kind.”
This seemed severe, and I replied testily, “There’s no accounting
either for tastes or for love. It came upon me like a sunbeam from
heaven.”
“From heaven!” said my companion. “Lovers’ language! A {64} strong
light, this light of love; and it has left a shadow of pitchy
darkness somewhere, has it not?”
“Ah! sir,” I said, “you look dejected. My story, perchance, stirred
up old memories.” He said nothing, but wrapped in profound melancholy
ascended a rock left dry by the tide, and I followed. There was such
an air of profundity about him that I inquired what he was thinking
about.
“Nothing,” he replied.
“But who are you, whose silence is so eloquent?”
“I am of the Palmiped family, and my name is Fool.”
“You, Fool!” I cried. “Come!”
Public-domain text, read in full here on John Shaqi.
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