Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
General
Public and Private Life of Animals: Adapted from the French of Balzac, Droz, Jules Janin, E. Lemoine, A. De Musset, Georges Sand, &c.
Fables, French
When I reached home that evening, I suppose my face must have
expressed more than usual disgust, for my musician stood looking at
me for several minutes without uttering a single word, and then two
large tears rolled down his cheeks; he was grotesque. Nothing is more
dreadful than an ugly animal, who adds to his ugliness the horrors of
grief. I expected a scene and reproaches, my heart swelled within me,
as I said to myself, “Let him but speak, get angry, curse me; I will
do the same, and oppose anger to anger. Passion is like a storm, when
it has burst and is over, it refreshes the earth. I began to sing
snatches of songs, like little bits of forked lightning, to bring
about the crisis. But he did nothing, and said nothing, two or three
times he sniffed badly, and carefully placing his clarionet in its
dirty case, put on his cap, and said—
“Good night, my dear, I am going to the theatre.”
What did these tears mean; did he think that he was odious to me?
He did not seem jealous; how could he be so? was I not the most
irreproachable, and, at the same time, most miserable of wives? Oh,
if I had only something to break, scratch, or bite! How he does make
me suffer!
Next day at the appointed hour, we met at our rendezvous. My fine
companion, who had been impatiently waiting for me, exclaimed, “How
beautiful you are! let us start for the woods.”
“Yes,” I replied, quite flattered, “I am ready.”
So off we started. Although my mind was made up, a certain foreboding
of evil troubled me. I could not throw it off. It occurred to me that
I had gone too far, and was approaching the edge of a volcano. {156}
[Illustration]
{157}
“What is the matter, dear?” said the insect.
“Do you not see those ambulating musicians over there at that window?”
“Yes; they are showing performing Beetles to the inmates of the
house. It seems to me they have to work hard for a living.”
“Doubtless, but I am afraid, they look so strange. Please let us go
some round-about way; I am trembling.”
We followed a street to the left, and continued our course, yet I
felt uneasy. It was a presentiment, for that day I had one of the
most disagreeable meetings imaginable. We were just emerging from the
suburbs when I descried in a corner an obscure mass, which turned out
to be one of those performing Bears who figure at fairs and markets.
He was making a Tortoise go through all sorts of wonderful exercises.
Nothing was more natural than to meet this Bear, and yet I shivered
all over. As my fears seemed unfounded, we continued to advance, and
came close to the performer. The keen eye of this monster shot forth
fire, and he sprang forward to bar my way.
“What are you doing here, madam?” he exclaimed, crossing his arms.
“Pray what does it matter to you what madam is doing here?” said my
protector. “On my honour you are a bold fellow. Who are you, I pray?
Speak! Who are you?”
“Who am I?” he breathed heavily. “I am the husband of this lady.”
Public-domain text, read in full here on John Shaqi.
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