Punch, or the London Charivari, October 28th 1893Various
General
Punch, or the London Charivari, October 28th 1893
Various
English wit and humor -- Periodicals
["Poetry will degenerate into mere literary _bric-à-brac_,
such as the composition of rondels and triolets."--DR. C. H.
PEARSON.]
Literary odds and ends
Will for lays be scribbled!
PEARSON thus ahead portends
"Litter"-ary odds and ends.
Pessimist, you owe amends
For this forecast ribald:--
"Literary odds and ends
Will for lays be scribbled!"
Call you then mere _bric-à-brac_
Triolet and rondel?
_All_ that's knocked off with a knack
Call you then mere _bric-à-brac_?"
Man of prose, you thus attack
VILLON, DOBSON, BLONDEL.
Call you _then_ mere _bric-à-brac_
Triolet and rondel?!
'Pon my word, _I_ don't much care
If you prove your thesis.
Poetry's not _my_ affair--
'Pon my word, I don't much care!
My three triolets pray tear
As you please, to pieces!
'Pon my word, I don't much care
If _they_ prove your thesis!
* * * * *
The recent illuminations in Paris, it is said, were a very costly
matter. Naturally, as an "_affaire de LUX(E)_."
* * * * *
UNDER THE ROSE.
(_A Story in Scenes._)
SCENE XI.--_At the entrance to The Eldorado Music-hall._
TIME--_Saturday evening, about_ 8.30. Mrs. TOOVEY, _who has just
alighted from a Waterloo bus, approaches; she wears a veil, under
which her spectacles gleam balefully, and passes the various boards
and coloured posters with averted eyes_.
_Mrs. Toovey_ (_to herself_). I'm late--I ought to have taken a cab,
instead of that dawdling bus. Still, I shall be in plenty of time to
surprise Pa in the very midst of his profligacy. (_She looks
around her._) Gilding, rosewood and mahogany panels, plush, stained
glass--oh, the wicked luxury of it all! (_She pushes open a swing
door._) Where is the place you call Box C? I--I have to meet somebody
there.
[_She finds herself in a glittering bar, where she produces a
distinct sensation among a few loungers there._
_A Barmaid_ (_tartly_). There's no entrance to the music-hall this
way. You've come to the wrong place.
_Mrs. Toov._ (_with equal acidity_). Ah, young woman, you need not
tell me _that_! (_She goes out with a withering glance, and hears
stifled sniggers as the doors swing after her._) A drinking-bar on the
very threshold to trap the unwary--disgraceful! (_She tries the next
door, and finds a stalwart official, in a fancy uniform._) Will you
have the goodness to conduct me to Box C, instantly?
_The Official._ Next door, please, Ma'am. This only admits to the
Grand Lounge.
_Mrs. Toov._ (_to herself_). The "Grand Lounge," indeed! (_She opens
another door, and finds a Pay-box, where she addresses the check-taker
through the pigeon-hole_.) I want to go to Box C. I've asked for it at
I don't know how many places, and----
_Checktaker_ (_politely_). I'm really afraid you'll have to ask again,
Ma'am. This is the Promenade. Box-office _next_ entrance.
Public-domain text, read in full here on John Shaqi.
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