Punch or the London Charivari, Vol. 104, May 27, 1893Various
General
Punch or the London Charivari, Vol. 104, May 27, 1893
Various
English wit and humor -- Periodicals
_Second Painter (who sent in, but is not exhibiting)._ Composition
wants bringing together, and the colour scheme is a little
unfortunate, but--(_generously_) I shouldn't call it altogether _bad_.
_First Painter (more grudgingly)._ Oh, you can see what he was
_trying_ for--only--well, it's not the way _I_ should have gone about
it.
[_They pass on tolerantly._
_The I. Y. P._ Can you make this picture out, Mamma? "_The Track of
the Strayed?_" The Strayed _what_?
_Her Mother._ Sheep, I should suppose, my dear--but it would have
been more satisfactory certainly if the animal had been shown _in_ the
picture.
_The I. Y. P._ Yes, ever so much. Oh, here's a portrait of Mr.
GLADSTONE reading the Lessons in Hawarden Church. I _do_ like
that--don't you?
_Her Mother._ I'm not sure that I do, my dear. I wonder they permitted
the Artist to paint any portrait--even Mr. GLADSTONE'S--during
service!
_The P. P. (before another canvas)._ Now that's about the size I want;
but I'm not sure that my wife would quite care about the _subject_.
_His Friend._ I'm rather fond of these allegorical affairs myself--for
a drawing-room, you know.
_The P. P._ Well, I'll just try the paper against it. (_He applies
the test, and shakes his head._) "There, you _see_--knocks it all to
pieces at once!"
[Illustration: "There, you _see_--knocks it all to pieces at once!"]
_His Friend._ I was afraid it would, y' know. How will _this_ do
you--_"A Naiad"?_
_The P. P._ I shouldn't object to it myself, but there's the Wife to
be considered--and then, a _Naiad_--eh?
_His friend._ She's half _in_ the water.
_The P. P._ Yes, but then--those lily-leaves in her hair, you know,
and--and coming up all dripping like that--no, it's hardly worth while
bringing out the paper again!
_The I. Y. P._ Isn't this queer--"_Neptune's Horses_"?--They _can't_
be intended to represent _waves_, surely!
_Her Mother._ It's impossible to tell what the Painter intended, my
dear, but I never saw waves so like horses as that.
IN THE NORTH ROOM.
_The I. Y. P. "Cain's First Crime."_ Why, he's only feeding a stork! I
don't see any crime in that.
_Her Mother._ He's giving it a live lizard, my dear.
_The I. Y. P._ But storks _like_ live lizards, don't they? And ADAM
and EVE are looking on, and don't seem to mind.
_Her Mother._ I expect that's the moral of it. If they'd taken it away
from him, and punished him at the time, he wouldn't have turned out so
badly as he did--but it's too late to think of that _now_!
_A Matter-of-fact Person (behind)._ I wonder, now, where he got his
_authority_ for that incident. It's new to _me_.
IN THE BALCONY.
Public-domain text, read in full here on John Shaqi.
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