Punch, or the London Charivari, Vol. 107. August 4, 1894. — John Shaqi
Punch, or the London Charivari, Vol. 107. August 4, 1894.Various
General
Punch, or the London Charivari, Vol. 107. August 4, 1894.
Various
English wit and humor -- Periodicals
I refused to hold a stall, for I had enough to do writing out autographs
of celebrities (they sell splendidly), but it was hard work, and there
was an absurd fuss just because I made the trifling mistake of signing
"Yours truly, GEORGE MEREDITH" across a photograph of ARTHUR ROBERTS.
What did it matter? I really cannot see that it made the slightest
difference; the person had asked for an autograph of MEREDITH and he got
it, _and_ a portrait of ROBERTS into the bargain! so he ought to have
been satisfied; but some people are strangely exacting! There was a
great run on the autograph of SARAH BERNHARDT and I grew quite tired of
signing YVETTE, ROSEBERY, and CISSIE LOFTUS, however, it was all for the
charity. I went as a Perfect Gentleman, and it was quite a good
disguise--hardly anyone knew me! I saw SIR BRUCE SKENE dressed as a
Temperance Lecturer; GRINGOIRE was there as the _Enemy of the People_
with a bunch of violets in his button-hole; the NEW BOY went as
_Becket_, and CHARLEY'S AUNT as the _Yellow Aster_. THE GENTLEMAN OF
FRANCE looked well as _The Prisoner of Zenda_. I recognised our old
friend DORIAN GRAY in a gorgeous costume of purple and pearls, with a
crown on his head of crimson roses. He said he had come as a Prose Poem,
and he was selling Prose Poem-granates for the good of the charity.
Here are some scraps of conversation I overheard in the crowd:--
_Enemy of the People_ (_to_ Sir BRUCE SKENE). Been having a good time
lately?
_Sir Bruce._ Rather! Tremendous! I've been doing nothing but backing
winners, and, what's more--(_chuckling_)--I've at last got that
astronomer fellow to take my wife and child off my hands. Isn't that
jolly?
_Enemy of the People._ Ah, really? She is coming to us in the autumn,
you know.
_Vivien, the Modern Eve_ (_to the_ New Boy). I cannot stay here any
longer. They never dust the drawing-room, the geraniums are planted all
wrong, and I do not like the anti-macassars. Will you come with me?
_New Boy._ What a lark it would be! But I'm afraid I must stay and look
after my white mice. You see, BULLOCK MAJOR----
_Lady Belton_ (_after her marriage_, _to_ Charley's Aunt, _tearfully_).
He doesn't understand me, Aunty.
_Charley's Aunt._ Never mind, my dear. Don't cry! You shall come with me
to Brazil; you've heard me mention, perhaps, it's the place where the
nuts come from; and we'll get up an amateur performance of the
_Pantomime Rehearsal_!
Public-domain text, read in full here on John Shaqi.
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