Punch, or the London Charivari, Vol. 109, November 2nd, 1895Various
General
Punch, or the London Charivari, Vol. 109, November 2nd, 1895
Various
English wit and humor -- Periodicals
_The Future Bridegroom._ "WELL--IN ANOTHER WEEK I SURRENDER MY
LIBERTY!"
_The Future Bride._ "AND I GAIN _MINE!_"
[_They dissemble their joy._
]
* * * * *
THE OLD DOCTRINE NAMED AFTER MONROE.
(_A New Yankee Song to an Old Yankee Tune._)
Air--"_Old Rosin the Bow._"
I'm the Yankee, to whip all creation,
And _own_ all creation al-so;
If rivals should seek explanation,
I tip them the name of MONROE;
I'll tip them the name of MONROE,
The doctrine called after MONROE;
And 'tisn't surprising that I should keep rising
Whilst holding that doctrine MONROE!
Of the universe _I_'ll be director,
That's quite in accord with MONROE;
And if there's no room for the others,
The others, of course, have to _go_,
When I tip them the name of MONROE,
The doctrine named after MONROE;
Though to them abhorrent, with me it is current,
Then hurrah for old Snap-up MONROE!
From the President's chair it was stated,
Like rooster our Eagle will crow;
And if lesser fowls kick up shindies,
We'll tip 'em the name of MONROE,
The magnanimous name of MONROE,
The doctrine named after MONROE;
O'er world-wide dominions a-waving its pinions
Our Eagle will squeal--for MONROE!
Thus I'll blow myself out, and my fixings
From ocean to ocean shall go,
And from pole to pole also; all hemispheres
Pan out for me,--ask MONROE!
Ask octopus-handed MONROE!
The doctrine--improved--of MONROE!
Some folk think his way hard, but I shall tell BAYARD
To stick to the text of MONROE!
Our ambassador must be--in London--
A smart go-a-head plenipo,
And, if SALISBURY does cut up didos,
Must tip him the name of MONROE;
Explain to him Mr. MONROE,
And the doctrine called after MONROE.
Then, if things look squiffy, buck-down in a jiffy,
And drop--for the present--MONROE!
* * * * *
THE MUSIC HALL AS OTHERS WOULD SEE IT.
(_With compliments to those it may concern_)
The _entrepreneur_ had conducted, the visitor here, there, and
everywhere. He had shown the stage, the auditorium, and the tea
and cake-room. Every feature of the reformed scheme had been duly
explained.
"No singing allowed in the entertainment?" queried the visitor.
"None at all," was the reply; "we consider that music is a mistake.
Of course same songs are good, but as others are bad it is better
to prohibit them altogether, and thus escape the risk of a mistaken
choice."
"And no dancing?"
"Of course not. That would be entirely contrary to our principles. If
people require exercise they can walk or run."
"But how about the poetry of motion? How about the grace of movement?"
"We desire to have nothing to do with either," returned the
_entrepreneur_. "You see our object is to have an entirely new
entertainment, and consequently we reject all items, that have figured
in other programmes."
Public-domain text, read in full here on John Shaqi.
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