Punch, or the London Charivari, Vol. 146, April 29, 1914Various
General
Punch, or the London Charivari, Vol. 146, April 29, 1914
Various
English wit and humor -- Periodicals
_Alexandrovitch._ Nonsense, love! He's only jealous because my caviare is
so much rounder than his.
_Marieovitch._ He knows I am tired of him. Lookout; here he is.
_Enter_ Williamovitch _from behind a heap of buttered toast._
_Williamovitch_ (_sternly_). I know all.
_Alexandrovitch_ (_pushing him over the edge of the tower_). Then take
that!
[_Exit_ Williamovitch.
SCENE II.
_A typefounder's in Italy, where they make the macaroni letters for
the consomme._
_Gulielmo_ (_sorting the O's_). One million, three hundred and eighty-seven
thousand, six hundred and forty-five. There are two missing, Maria.
_Maria_ (_nervously_). Perhaps you counted wrong, Gulielmo.
_Gulielmo_ (_scornfully_). Counted wrong! And me the best macaroni sorter
in Italy! Now. let's get the "E's" together. (_After a pause_) Two million,
four hundred and five thousand, two hundred and ninety seven. _Corpo di
Bacco!_ There are two "E's" 'missing'!
_Maria._ Don't you remember there was one "E" the reader wouldn't pass?
_Gulielmo_ (_suspiciously_). I made another to take its place. There's some
devilry in this. Maria, girl, what are you hiding from me?
_Maria_ (_confused_). Oh, Gulielmo, I didn't want you to know.
[_She takes a handful of letters from her lap and gives them shyly to
him._
_Gulielmo_ (_sorting them_). Two "O's," two "E's," two "L's----" What's all
this?
_Maria_ (_overcome_). Oh!
_Gulielmo._ "I LOVE GULIELMO."
(_Ecstatically_). Maria! You love me?
[_She falls into his arms._
SCENE III.
_A whitebait stud farm at Greenwich._ Polly _is discovered outside one
of the stables. Enter_ Alfred.
_Polly._ Can't think what's the matter with Randolph this morning. That's
'is fifth slice of lemon, and 'e's as fierce and 'ungry as ever.
_Alfred_ (_gaily_). Never mind the whitebait now, sweet'eart, when we're
going to be spliced this afternoon. 'Ullo, 'ere 's Bill.
_Enter_ Bill.
_Bill._ Wot cher, Alf! The guv'nor wants yer. (_Exit_ Alfred _hastily._)
And now, Polly, my girl, wot's all this about marrying Alf when you're
engaged to me?
_Polly._ Oh, Bill, I'm sorry. Do let me off. I love Alfred.
_Bill._ I'll let yer off all right.
[_He goes towards_ Randolph's _stable._
_Polly_ (_shrieking_). Bill! Wotcher doing?
_Bill_ (_opening the stable door_). Just giving Randolph a bit of a run
like. 'E wants exercise.
[Randolph, _the fiercest of the whitebait, dashes out and springs at_
Polly's _throat._
_Polly._ Help! Help!
_Bill._ P'raps Alfred will 'elp you--when 'e comes back. I'll tell 'im.
[_Exit leisurely._
SCENE IV.
_A saddler's shop at Canterbury, New Zealand._
_Molly._ Busy, Willie?
_William._ Always busy at the beginning of the lamb season, Molly. The
gentlemen in London will have their saddle.
_Molly._ Too busy to talk to me?
_Willie._ Plenty of time to talk when we're married. Shan't have to work so
hard then.
Public-domain text, read in full here on John Shaqi.
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