Punch, or the London Charivari, Vol. 148, February 3, 1915 — John Shaqi
Punch, or the London Charivari, Vol. 148, February 3, 1915Various
History
Punch, or the London Charivari, Vol. 148, February 3, 1915
Various
English wit and humor -- Periodicals
Most impressive and pathetic was the anguish of the toad
When he found the name _Lissaueri_ had on him been bestowed;
And a fine man-eating tiger said he'd sooner feed with SHAW
Than allow the title _Treitschkei_ to desecrate his jaw.
But this memorable meeting was not destined to disperse
Without a tragedy too great for humble human verse;
For, on hearing that _Wilhelmi_ had to his name been tied,
The skunk, in desperation, committed suicide.
* * * * *
Count REVENTLOW in the _Deutsche Tageszeitung_:--
"It is an established fact that when our airships were, in order
to fly to the fortified place of Great Yarmouth, merely flying
over other places or cities, they were shot at from these places.
It may be assumed with certainty that these shots, which were
aimed at the airships from below, hit them, and probably they
wounded or even killed occupants of the airships. This involves an
English franc-tireur attack, ruthlessly carried out in defiance of
International Law and in the darkness of the night, upon the German
airships, which, without the smallest hostile action, wanted to fly
away over these places....
The airship is a recognised weapon of war, and yet people in England
seem to demand that it shall regard itself as fair game for the
murders performed by a fanatical civil population, and shall not have
the right to defend itself."
By the offer of a princely salary, _Mr. Punch_ has tried to tempt Count
REVENTLOW to join the staff in Bouverie Street. In vain. As
the chief humorist of Central Europe he feels that his services are
indispensable to the Fatherland.
* * * * *
[Illustration: "OH, MOTHER! HOW I WISH I WAS AN ANGEL!"
"DARLING! WHAT MAKES YOU SAY THAT?"
"OH, BECAUSE THEN, MOTHER, I COULD DROP BOMBS ON THE GERMANS."]
* * * * *
OVERWORK.
The poets having indicated that they were going to take a few moments
off, the words were free to stand at ease also. They did so with a
great sigh of relief, especially one whom I recognised by his intense
weariness and also by the martial glow on his features, his muddied and
torn clothes and the bandage round his head.
"You're 'war,'" I said, crossing over to speak to him.
"Yes," he replied, "I'm 'war,' and I'm very tired."
"They're sweating you?" I asked.
"Horribly," he replied. "In whatever they're writing about just now,
both poets and song-writers, they drag me in, and they will end lines
with me. Just to occur somewhere and be done with I shouldn't so much
mind; but they feel in honour bound to provide me with a rhyme. Still,"
he added meditatively, "there are compensations."
"How?" I asked.
Public-domain text, read in full here on John Shaqi.
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