Punch, Or The London Charivari, Vol 150, February 9, 1916 — John Shaqi
Punch, Or The London Charivari, Vol 150, February 9, 1916Various
General
Punch, Or The London Charivari, Vol 150, February 9, 1916
Various
English wit and humor -- Periodicals
He is on safer ground when he tells us that "in curiously vivid and
pungent fashion this little play outlines the breezy freshness and the
originality of outlook which almost invariably characterise the
politicians and statesmen of the Prairie, the Veldt and the Bush, and
which more than anything else perhaps differentiates them from the men
of an older land, hampered as these latter often are by long and stately
traditions." Certainly, in the matter of addressing its Premier by a
familiar abbreviation of his Christian name (an authority who has
travelled in these parts assures Mr. Bourchier that he is "quite right:"
that "people would call this Premier 'Bill' in Australia") the new world
differs from the old. I cannot so much as contemplate the thought of Mr.
Asquith being addressed by the Minister Of Munitions as "Herb," or even
"Bert."
[Illustration: FIRST LOVE; OR THE JEUNE PREMIER.
_Bill the Premier_ Mr. Arthur Bourchier.
_Mrs. Pretty_ Miss Kyrle Bellew.]
But we have difficulties again with the Foreword (for I cannot get away
from it) when we come to the question of the hero's virility. In the
play his secretary says of him, "Bill's not a man, he's a Premier. A
kind of dynamo running the country at top speed." Yet the Foreword,
after citing this passage, goes on to insist upon his "tingling
humanity" and hinting at the need of such a type of manhood at the
present time. "After all," concludes Mr. Bourchier in a spasm of
uplift--"after all, what is the cry of the moment here in the heart of
the Empire, but for 'a Man-Give us a Man!'" But even if we reject the
secretary's estimate of his chief as a dynamo we still find a certain
deficiency of manhood in the anaemic indifference of the _Premier's_
attitude to women; an attitude, by the way, not commonly associated with
Mr. Bourchier's impersonations on the stage. _Mrs. Pretty's_ tastes are,
of course, her own affair, and we were allowed little insight into her
heart (if any), but I can only conclude that her choice was governed by
political rather than emotional considerations ("Let us remember Women
Have the Vote In Australia" is the finale of the Foreword) and that what
she wanted was a Premier rather than a Man.
Public-domain text, read in full here on John Shaqi.
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