Punch, or the London Charivari, Vol. 150, May 3, 1916Various
History
Punch, or the London Charivari, Vol. 150, May 3, 1916
Various
English wit and humor -- Periodicals
At the peace of 1814 he returns thin and lame to find that the lady of
his choice has long married the man of hers (and why not?), and that the
two, with their children, are installed in his house; _Dillworthy_ no
longer Deputy but reigning Mayor. Nobody recognises the famous
_Toogood_, which is entirely "Q's" fault, not theirs; and nobody, except
a pretty maid who is to marry his nephew (his own money has made the
match possible), seems to worry overmuch (_absit omen_!) about returned
prisoners of war. He reveals himself to nobody but his villain brother
_William_ (Mr. AYRTON). That fatuous revenue officer, _Lomax_ (Mr.
MALLESON), has written a fulsomely flattering life of him at which his
gorge rises. Everybody, apart from opening a hospital in his memory (in
a bed of which he eventually finds himself), seems to be going about his
or her business much as usual (yet what else could they do?). He
extracts a character of himself from his faithful old servant and finds
it not so flattering as he would have liked. Seems, in fact, determined
to have his grievance. Well, then, he will buy a dog. And he will take
the road with his pal the comic sailor and shake the dust of fickle Troy
from off his feet.
But I protest that this is all very unfair to the Trojans. As soon as he
gave them their chance they took it decently enough, so much so that all
ended happily in what must have been a most uncomfortable dance on the
sharp fragments of the _Toogood_ bust which the disgruntled original had
smashed with his crutch.
Of course poor _William_ very naturally resented this extraordinarily
inconsiderate return from the dead of a long and well-lost brother,
several thousand of whose pounds he had misappropriated. As for _Lomax_,
could he by any stretch of the imagination within the frame of this
picture have tried to bribe the Mayor to go away just to save his
infernal biography from being wasted? You simply can't have a convincing
colloquy on these lines between the tragic figure of the disillusioned
and embittered hero and this farcical jackanapes.
Public-domain text, read in full here on John Shaqi.
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