Punch, or the London Charivari, Vol. 158, 1920-05-12Various
General
Punch, or the London Charivari, Vol. 158, 1920-05-12
Various
English wit and humor -- Periodicals
In my house the cry goes up with peculiar force about Easter-time,
when I repaint as much of the house as I am allowed and whitewash the
rest, and can appreciate what I am missing in my everyday calling. It
is astonishing to think that one used actually to pay people money to
paint and whitewash, and looked on with meek wonder, for six weeks,
while they did it. Bourgeois I may be, but I have put aside that
folly. The Easter holidays now are to me the best holidays of
the year, because for four whole days I can do almost unlimited
decorating. I begin with the conservatory; I do it a delicate pale
blue, and it looks very lovely. The vine in the conservatory no longer
yields her increase as she used to do, but I can't help that. After
the conservatory I start on the basement, and the opportunities in the
basement are endless. It is a curious thing that brain-workers who do
much decorating in their spare time do most of it in the basement and
not in the rooms they have to occupy themselves. The basement is fair
game. Another curious thing is that the people who do have to occupy
the basement never seem to appreciate what you are doing for them.
They appear to think you are merely amusing yourself.
The best day for doing the basement therefore is Easter Monday, when
you can legitimately send the whole staff (if any) away for a holiday,
and commandeer the entire kitchen equipment. This point is more
important than you may suppose; since if the staff are at home and you
want to use the basement bucket or the soft broom (both of which are
essential for efficient whitewashing) it is almost certain that they
will at the same time want to put them to some preposterous use of
their own; and this causes either delay or friction, probably both.
Besides, they keep bustling about behind you and saying, "'T't, 't't,"
or "_Busy_ to-day!" in a surprised voice. This is most irritating, and
an irritated painter always goes over the edges.
When you have got rid of the staff (if any) you can get to work on the
scullery and whitewash the ceiling. Whitewashing is much superior to
painting. Painting looks lovely while you are doing it, but is very
horrible when it is dry, being streaky or blistery or covered with
long hairs. Whitewash looks horrible while you are doing it, but
marvellous when it is dry, which is much more satisfactory. In a life
of average prosperity and no small public distinction, including an
intimacy with a professional tenor and two or three free lunches with
noblemen, I can recall few moments of such genuine rapture as the one
when you creep down to the basement to find the whitewash dry at last
and brilliant as the driven snow.
Public-domain text, read in full here on John Shaqi.
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