Punch, or the London Charivari, Vol. 158, 1920-05-12 — John Shaqi
Punch, or the London Charivari, Vol. 158, 1920-05-12Various
General
Punch, or the London Charivari, Vol. 158, 1920-05-12
Various
English wit and humor -- Periodicals
The other thing about whitewashing is that it is done with a broom,
not with a finicking brush and a small pot, but a good fat bucket
and the housemaid's soft-broom. In this way you can really get some
_bravura_ into your work. And, except perhaps for watering the garden
with a hose, there is no quicker way of making a really good mess.
Whitewashing by this method, I find that it takes much longer to
remove the whitewash from the floors and other places where it is not
intended to go than it does to put the whitewash on the places where
it is intended to go; but the charwoman does the removing on Easter
Tuesday, and I still think that that method is the best. Especially,
perhaps, for outside walls, because in one's artistic frenzy it is
usual to cover most of the rose-trees with whitewash; they look
then like those whitewashed orchards, and visitors think you are a
scientific gardener, combating Plant Pests.
Personally I don't pay too much attention to the rather arbitrary
rules on painting laid down by the Painters' Union. Life is too
short. For instance, I don't put my brushes in turpentine when I
have finished for the day; and if I do I put the green brush and the
light-blue brush and the black brush and the white brush in the same
pot, and terrible things happen. I don't like my art to be hampered by
petty notions of economy, and if brushes persist in crystallising into
tooth-brushes when left to themselves for an hour or two I simply use
a new brush.
Nor do I insist on "cleaning thoroughly the surface before the paint
is applied." Anyone who sets out in practice to clean thoroughly the
surface of the basement before applying the paint will find that the
Easter holidays have slipped away long before any paint is applied at
all. Besides, one of the main objects of paint is to hide the dirt, so
why waste time in removing it?
On the other hand, I am not content with mere painting; I go in
thoroughly for all the refinements like driers and varnishes and
gold-size. Driers and gold-size are extremely necessary when painting
the basement, because if there is one thing the staff enjoy more than
tea-cups coming away in the 'and, it is really rubbing themselves
against wet paint and wandering round muttering complaints about it.
Without a driers or some drier or whatever it is, the basement
remains wet for ever, and all work ceases while the staff amble about,
ecstatically rubbing themselves against the doorposts and saying
"T'tt, t'tt," in a meaning way.
Public-domain text, read in full here on John Shaqi.
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