Punch, or the London Charivari, Vol. 158, June 9, 1920Various
General
Punch, or the London Charivari, Vol. 158, June 9, 1920
Various
English wit and humor -- Periodicals
finishing the last line with _limb_ or _hen_ or _bun_. A serious
writer could do that with impunity, and indeed with praise, but the
more exacting traditions of Limerical composition insist that, having
fixed on _Ham_ as the end of the first line, you must find two other
rhymes to _Ham_, and good rhymes too. This is why there is so large
a body of uncompleted Limericks. For many years I have been trying to
finish the following unfinished masterpiece:--
There was a young man who said "_Hell!_
I don't think I feel very well----"
That was composed on the Gallipoli Peninsula; in fact it was composed
under fire; indeed I remember now that we were going over the top at
the time. But in the quiet days of Peace I can get no further with it.
It only shows how much easier it is to begin a Limerick than to end
it.
Apart from the subtle phrasing of the second line this poem is
noteworthy because it is cast in the classic form. All the best
Limericks are about a young man, or else an old one, who said some
short sharp monosyllable in the first line. For example:--
There was a young man who said "_If_----
Now what are the rhymes to _if_? Looking up my _Rhyming Dictionary_ I
see they are:--
cliff
hieroglyph
hippogriff
skiff
sniff
stiff
tiff
whiff
Of these one may reject _hippogriff_ at once, as it is in the wrong
metre. _Hieroglyph_ is attractive, and we might do worse than:--
There was a young man who said "If
One murdered a hieroglyph----"
Having, however, no very clear idea of the nature of a hieroglyph I
am afraid that this will also join the long list of unfinished
masterpieces. Personally I should incline to something of this kind:--
There was a young man who said "If
I threw myself over a cliff
I do not believe
_One_ person would grieve----"
Now the last line is going to be very difficult. The tragic
loneliness, the utter disillusion of this young man is so vividly
outlined in the first part of the poem that to avoid an anticlimax
a really powerful last line is required. _But there are no powerful
rhymes._ A serious poet, of course, could finish up with _death_
or _faith_, or some powerful word like that. But we are limited to
_skiff_, _sniff_, _tiff_ and _whiff_. And what can you do with those?
Students, I hope, will see what they can do. My own tentative solution
is printed, by arrangement with the Editor, on another page (458). I
do not pretend that it is perfect; in fact it seems to me to strike
rather a vulgar note. At the same time it is copyright, and must not
be set to music in the U.S.A.
Public-domain text, read in full here on John Shaqi.
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