STRAND.—The enterprising managers of this elegant little theatre have produced another mythological drama, called “The Frolics of the Fairies; or, the Rose, Shamrock, and Thistle,” from the pen of Leman Rede, who is, without doubt, the first of this class of writers. The indisposition of Mr. Hall was stated to be the cause of the delay in the production of this piece; out, from the appearance of the bills, we are led to infer that it arose from the indisposition of Mrs. Waylett to shine in the same hemisphere with that little brilliant, Mrs. Keeley, and “a gem of the first water” she proved herself to be on Wednesday night. It would be useless to enter into the detail of the plot of an ephemeron, that depends more upon its quips and cranks than dramatic construction for its success. It abounds in merry conceits, which that merriest of—dare we call her mere woman?—little Mrs. Bob rendered as pointed as a Whitechapel needle of the finest temper. The appointments and arrangements of the stage reflect the highest credit on the management, and the industry which can labour to surmount the difficulties which we know to exist in the production of anything like scenic effect in the Strand Theatre, deserve the encouragement which we were gratified to see bestowed upon this little Temple of Momus. The Olympic Theatre has obtained an extension of its licence from the Lord Chamberlain, and will shortly open with a company selected from Ducrow’s late establishment; but whether the peds are bi or quadru, rumour sayeth not. A CARD. MESSRS. FUDGE and VAMP beg to inform novelists and writers of tales in general, that they supply dénouements to unfinished stories, on the most reasonable terms. They have just completed a large stock of catastrophes, to which they respectfully solicit attention. FOR MELO-DRAMA. Discovery of the real murderers, and respite of the accused. Ditto very superior, with return of the supposed victim. Ditto, ditto, extra superfine, with punishment of vice and reward of virtue. FOR FARCES. Mollification of flinty-hearted fathers and union of lovers, &c. &c. &c. FOR COMEDIES. Fictitious bankruptcy of the hero, and sudden reinstatement of fortune. Ditto, ditto, with exposure of false friends. Non-recognition of son by father, ultimate discovery of former by latter. Ditto, ditto, very fine, “with convenient cordial,” and true gentlemen, illustrated by an old debauchee. N.B.—On hand, a very choice assortment of interesting parricides, strongly recommended for Surrey use. WHY AND BECAUSE. Young Kean’s a bad cigar—because The more he’s puff’d, the worse he draws. A new farce, entitled “My Friend the Captain,” is to be produced tonight, at the Haymarket Theatre. MR. HAMMOND will take a benefit at the English Opera House, on Monday next. We are happy to see that this very deserving actor’s professional brethren are coming forward to lend him that assistance which he has always been ready to afford to others.