On the following day, Fitzorphandale had invited Seraphina to a pic-nic party. He had opened the &11 placed some boiled beef and ^^12 on the verdant grass, when Seraphina exclaimed, in the mildest ``´´13, “I like it well done, Fitzorphandale!” As Julian proceeded to supply his beloved one with a §14 of the provender, St. Tomkins stood before them with a †15 in his hand. Want of space compels us to leave the conclusion of this interesting romance to the imagination of the reader, and to those ingenious playwrights who so liberally supply our most popular authors with gratuitous catastrophes. NOTES BY THE FLY-BOY. 1. Admiration. 2. Parallel. 3. Note of Interrogation. 4. Period. 5. More than. 6. Paragraph. 7. Freemason. 8. Less than. 9. Multiplied. 10. Scruples. 11. Hampers-and. 12. Carets. 13. Accents. 14. Section. 15. Dagger. NEWS OF EXTRAORDINARY INTEREST. A mechanic in Berlin has invented a balance of extremely delicate construction. Sir Robert Peel, it is said, intends to avail himself of the invention, to keep his political principles so nicely balanced between Whig and Tory, that the most accurate observer shall be unable to tell which way they tend. The London Fire Brigade have received directions to hold themselves in readiness at the meeting of Parliament, to extinguish any conflagration that may take place, from the amazing quantity of inflammatory speeches and political fireworks that will be let off by the performers on both sides of the house. The following extraordinary inducement was held out by a solicitor, who advertised last week in a morning paper, for an office-clerk; “A small salary will be given, but he will have enough of over-work to make up for the deficiency.” “MORE WAYS THAN ONE,” &c. The incomplete state of the Treasury has been frequently lamented by all lovers of good taste. We are happy to announce that a tablet is about to be placed in the front of the building, with the following inscription:— TREASURY. FINISHED BY THE WIGS, ANNO DOM. MDCCCXLI. A CON. BY TOM COOKE. Why is the common chord in music like a portion of the Mediterranean?—Because it’s the E G & C (Ægean Sea). Silhouette of a conductor holding a blunt object MONSIEUR JULLIEN. “One!”—crash! “Two!”—clash! “Three!”—dash! “Four!”—smash! Diminuendo, Now crescendo:— Thus play the furious band, Led by the kid-gloved hand Of Jullien—that Napoleon of quadrille, Of Piccolo-nians shrillest of the shrill; Perspiring raver Over a semi-quaver; Who tunes his pipes so well, he’ll tell you that The natural key of Johnny Bull’s—A flat. Demon of discord, with mustaches cloven— Arch impudent improver of Beethoven— Tricksy professor of charlatanerie— Inventor of musical artillery— Barbarous rain and thunder maker— Unconscionable money taker— Travelling about both near and far, Toll to exact at every bar— What brings thee here again, To desecrate old Drury’s fane? Egregious attitudiniser! Antic fifer! com’st to advise her