Punch, or the London Charivari, Volume 1, October 30, 1841Various
General
Punch, or the London Charivari, Volume 1, October 30, 1841
Various
English wit and humor -- Periodicals
[Illustration: A]A serious accident to the double-bass was the
extraordinary occurrence alluded to in our last chapter. It appeared that,
contrary to the _usual_ custom of the class of musicians that attend
evening parties, the operator upon the double-bass had early in the
evening shown slight symptoms of inebriety, which were alarmingly
increased during supper-time by a liberal consumption of wine, ale, gin,
and other compounds. The harp, flageolet, and first violin, had prudently
abstained from drinking--at their own expense, and had reserved their
thirstiness for the benefit of the bibicals of the "founder of the feast,"
and, consequently, had only attained that peculiar state of sapient
freshness which invariably characterises quadrille bands after supper, and
had, therefore, overlooked the rapid obfuscation of their more imprudent
companion in their earnest consideration of themselves.
Bacchus has long been acknowledged to be the cicerone of Cupid; and
accordingly the God of Wine introduced the God of Love into the bosom of
the double-bass, who, with a commendable feeling of sociality, instantly
invited the cook to join the party. Now Susan, though a staid woman, and
weighing, moreover, sixteen stone, was fond of a "hinnocent bit of
nonsense," kindly consented to take just a "sip of red port wine" with the
performer upon catgut cables; and everything was progressing _allegro_,
when Cupid wickedly stimulated the double-bass to chuck Susan's double
chin, and then, with the frenzy of a Bacchanal, to attempt the
impossibility of encircling the ample waist of his Dulcinea. This was
carrying the joke a _leetle_ too far, and Susan, equally alarmed for her
reputation and her habit-shirt, struggled to free herself from the embrace
of the votary of Apollo; but the fiddler was not to be so easily disposed
of, and he clung to the object of his admiration with such pertinacity
that Susan was compelled to redouble her exertions, which were ultimately
successful in embedding the double-bass in the body of his instrument. The
crash was frightful, and Susan, having vainly endeavoured to free herself
from the incubus which had fastened upon her, proceeded to scream most
lustily as an overture to a faint. These sounds reached the supper-room,
and occasioned the diversion in John's favour; a simultaneous rush was
instantly made to the quarter from whence they proceeded, as the whole
range of accidents and offences flashed across the imaginations of the
affrighted revellers.
Public-domain text, read in full here on John Shaqi.
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