Punch, or the London Charivari, Volume 152, January 3, 1917 — John Shaqi
Punch, or the London Charivari, Volume 152, January 3, 1917Various
General
Punch, or the London Charivari, Volume 152, January 3, 1917
Various
English wit and humor -- Periodicals
Her course was now quite clear. She urged and encouraged herself: "Il
faut absolument que Papa vienne en permission. _Je--le--veux!_" And,
that her intentions might not be thwarted, absolute secrecy must
be maintained, at least in so far as the chapter relating to her
terrestrial tactics was concerned; no one would oppose intercession
_auprès du bon Dieu_.
"Il faut m'adresser à tous les deux en même temps," pronounced Jeanne,
taking a sheet of note-paper. "J'écris directement au général" (since
time and space have to be allowed for in earthly negotiations, the
order must be thus)--"et je prie le bon Dieu en personne." That both
positions should be assailed simultaneously, operations must be
begun in this quarter in the morning, at the hour of the first postal
delivery.
"Point de saints, ni de colonels--maintenant je
comprends--l'_é-tat-ma-jor_ dans l'Armée et les saints au Paradis,
c'est tout comme!"
* * * * *
AT THE PLAY.
"PUSS IN NEW BOOTS."
Five hours is a great space out of a man's life, but that was
precisely the time taken by Mr. ARTHUR COLLINS to present his _Puss in
New Boots_, so that I had leisure to study the book of the words, sold
shamelessly to the unsuspecting (of whom I was not one), and compare
the rough sketches of our three standard authors of the Lane, Messrs.
COLLINS, SIMS and DIX with the version, by no manner of means final,
of the comedians. A pantomime book is on the whole rather a mournfully
unsubtle document. The thing is frankly not meant to be read when the
blood is cool. It is the Action, Action and again Action of such hefty
knock-abouts as WILL EVANS, ROBERT HALE and STANLEY LUPINO that makes
the dry bones live and the old squibs crackle. And it is good fun to
watch the audience at their share of authorship, setting the seal of
their approval upon the happy wheeze, the well-contrived business,
and blue-pencilling with their silence the wash-out or the too obscure
allusion.
[Illustration: DIANA OF THE LANE.
_The Baroness_ ... Mr. ROBERT HALE.]
The show is substantially new throughout--new songs, new scenery, new
japes, new acrobatics. A new Puss, too, as well as new boots; and,
without any reflection on little Miss LENNIE DEANE, who was quite an
adequate Puss of pantomime, we may regret Miss RENÉE MAYER.
Miss FLORENCE SMITHSON still delights the curious with her Swedish
exercises in alt, and makes a very pretty lady of high degree for a
pantomime marquis, who is no other than Miss MADGE TITHERADGE stepping
down from the "legitimate" and bringing an air and an elocution
unusual and admirable. She made her excellent speaking voice do duty
in recitative for song, and the innovation is not unpleasing. If it
be fair in frivolous public places to dig down to those thoughts that
better lie too deep for tears, Mr. ALFRED NOYES' _A Song of England_,
clear spoken by her with tenderness and spirit, is a better instrument
than most.
Public-domain text, read in full here on John Shaqi.
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