Punch, or the London Charivari, Volume 152, January 3, 1917 — John Shaqi
Punch, or the London Charivari, Volume 152, January 3, 1917Various
General
Punch, or the London Charivari, Volume 152, January 3, 1917
Various
English wit and humor -- Periodicals
Mr. HALE's _Baroness_ challenges comparison with Mr. GEORGE GRAVES's.
She is perhaps more womanly ("no ordinary" type), less grotesquely
irrelevant and profane--though she does her bit. On the other hand,
she is more active and less repetitive. When, the good fairy endowing
her with beauty, she appeared as DORIS KEANE in _Romance_, that was an
applauded stroke. And when she lied beneath the tree of truth and the
chestnuts fell each time truth was mishandled, thickest of all when
it was asserted that a certain Scotch comedian had refused his salary,
this was also very well received. On the whole, then, a satisfactory
Baroness.
Mr. LUPINO (the miller's second son) is really an exquisite droll,
and I don't remember to have seen him in better form. He has some of
the authentic ingredients of the old circus clown--a very valuable
inheritance.
Mr. WILL EVANS is always good to watch, always has that air of
enjoying himself immensely that is the readiest way to favour. He
seemed at times to be, as it were, looking wistfully for his old pal,
GRAVES; missed probably that companionable nose and those reliable
_da capos_ which give such opportunity for the manufacture of gags;
whereas Mr. HALE is a "thruster." But cooking the _recherché_ dinner
in the gas cooker that becomes a tank, and putting up the blind and
laying the carpet--here was the WILL EVANS that the children of all
ages applaud.
I always find the Lane big scenes and ballets more full of competing
colour and restless movement than of controlled design. But the Hall
of Fantasy, with its spiral staircases reaching to the flies, was an
ambitious effort crowned with success. The dance of the eight tiny
zanies was the best of the ballet. The Shakspearean pageant at the end
might be (1) shortened, and (2) brightened by the characters throwing
a little more conviction into their respective aspects--notably the
ghost of _Hamlet's_ father. However, as a popular tercentenary tribute
to "our Shakspeare" the scheme is to be commended and was as such
approved.
T.
* * * * *
THE SPIRITUAL SPORTSMAN.
Public-domain text, read in full here on John Shaqi.
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