Punch, or the London Charivari, Volume 153, November 14, 1917Various
General
Punch, or the London Charivari, Volume 153, November 14, 1917
Various
English wit and humor -- Periodicals
Having taken cover only in Lower Robert Street, which is open to
all, I cannot with any personal knowledge speak of the camaraderie
of private basements; but I suppose that that exists and is another
of the War's byproducts. I take it that, in the event of a sudden
alarm, no householder with a cellar would be so inhuman as to
refuse admittance to a stranger, and already probably a myriad
new friendships and not a few engagements have resulted. Our own
camaraderie is admirable. The federation of the barrage breaks down
every obstacle; while a piece of shrapnel that one can display is more
valuable than any letter of introduction, no matter who wrote it.
Hence we all talk; and sometimes we sing too--choruses of the moment,
for the most part, in one of which the depth of our affection for our
maternal relative is measured and regulated by the floridity of the
roses growing on her porch.
And yet, when at last friendliness is upon the town, there are
people--and not only alien Hebrews either--who have been hurrying away
from London! When London has become more interesting than ever before
in its history there are people who leave it!
Personally I mean to cling to the old city as long as it will cling to
me; but even now across one's aching sight comes a "dream of pastime
premature" which shakes such resolves a little. Peter, for example,
has been having a disturbing effect on me. Only now and then, of
course--when I am not quite myself; when the two and thirty (what
remains of them) are not so firmly gritted as they should be; when
even London seems unworthy of devotion.
But these moods pass. You will admit, though, that Peter has his lure.
I read about him in the _Tavistock Gazette_, one of the few papers,
I fancy, which does not belong to Lord NORTHCLIFFE; and this is
how the lyric (it is really a lyric, although it masquerades as an
advertisement) runs, not only in the paper but in my head: "To be
let, by Tender" (this is not an oath but some odd legal or commercial
term) "as and from Lady Day all that nice little PASTURE FARM known as
HIGHER CHURCH FARM, situate in the village of Peter Tavy." Now what
could be more unlike London under the German invasion and all that
nasty little tunnel known as Lower Robert Street, than Peter Tavy?
But I must not be tempted. I must stick it out here.
* * * * *
LITERARY GOSSIP À LA MODE.
The mystification practised by authors who have passed off as their
own work the compositions of others is familiar to all literary
students. SHAKSPEARE'S assumption of borrowed plumes is of course
the classic example. But another and more subtle problem is the
interchange of functions between two men of letters; and the theory
recently advanced by the distinguished critic and occultist, Mr.
Pullar Leggatt, deserves at least a respectful hearing.
* * * * *
Public-domain text, read in full here on John Shaqi.
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