Punch, or the London Charivari, Volume 153, November 7, 1917 — John Shaqi
Punch, or the London Charivari, Volume 153, November 7, 1917Various
History
Punch, or the London Charivari, Volume 153, November 7, 1917
Various
English wit and humor -- Periodicals
"I have heard it," replied his visitor drily. "Most of the music
played is composed by the conductor, who conducts with the bow of
his violin. No, Sir, that is not enough to do for an audience in the
intervals. I warn you that the whole question of intervals will come
up soon, and the cleverest manager will be the one who does most to
make them amusing. But that's another matter. My scheme for you is
to provide more than mere amusement, it is to enable your theatre to
partake of some of the quality and some of the success of the great
picture newspapers."
"How do you mean?" the manager asked, leaning forward. The word
"success" galvanised him.
"Like this," said the enthusiast. "You grant that the proper study
of mankind is man--as the POPE recently said? You grant an intense
curiosity as to everybody else being implanted in the human breast?
Very well. This, then, is my scheme. You must have each stall legibly
numbered so that the whole house behind it and above it can see the
number. The boxes must be numbered too. You then instal a printer with
a little press somewhere behind the scenes, and to him is brought soon
after the curtain rises a list of the names of all the box and stall
holders, which he will print off in time for the assistants to sell
them all over the house after Act I. This distribution will dispose of
the first interval, and incidentally bring in a nice little sum for
cigars and champagne for your business visitors, a new hat for your
leading lady, and so forth."
"By the way," said the manager, "won't you smoke? These are mild."
"Thank you," said the other. "Very well," he continued, "the next
interval will be wholly spent in the exciting and delightful task of
identifying the nobs, in which the nobs themselves will take a part.
And if there is still a third interval it will be equally amusingly
filled by conversation as to the pasts or costumes of the more famous
of the female nobs who are present--an interchange of opinion as to
the lowness of their necks, conjectures as to the genuineness of their
hair, and so forth. Do you see?"
The manager went to the sideboard and brought back some glasses and a
bottle. "Yes," he said, "I see. There's something in what you say. But
you don't explain how the names are to be obtained?"
"How?" exclaimed the other. "Why, ask for them, to be sure. You'll
have to begin with a few blanks, of course, but directly it gets known
that you're publishing them during the evening they'll all come in.
Bless your soul, I know them! and if the nobs don't tumble to it the
snobs will, and they're numerically strong enough to keep any play
running. You won't have to worry about the play. As for the back rows
of the stalls, where you put the people from the other theatres, why,
they'll absolutely push their visiting-cards at you. What do you say?"
"I think it's ingenious," said the manager, "and not to be dismissed
lightly. But I don't see anything to prevent all the other managers
copying it."
Public-domain text, read in full here on John Shaqi.
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