Punch, or the London Charivari, Volume 158, March 17, 1920Various
General
Punch, or the London Charivari, Volume 158, March 17, 1920
Various
English wit and humor -- Periodicals
The case is plain; the issue is distinct;
You either answer now or out you trot
(And kindly make that answer quite succinct):
_Have all the dumps been sold, or have they not_?
* * * * *
"WEDDING ROMANCE.
"The acquaintanceship soon developed into a house where Miss
---- was living."--_Daily Paper_.
The chief obstacle to matrimony being thus removed, there could, of
course, be only one end to the story.
* * * * *
"The Committee has decided to call the contest the 'Golden
Apple Challenge,' having in mind the legend of Paris giving
a golden apple to Helen of Troy as the fairest of the three
beautiful women who came to ask his judgment."--_Daily Mail_.
Personally we never attach much importance to these Paris legends.
* * * * *
[Illustration: MORE ADVENTURES OF A POST-WAR SPORTSMAN.
_Master_. "HI! YOU! 'WARE BEANS. DON'T YOU KNOW BEANS WHEN YOU SEE
'EM?"
_P.-W.S._ "THEY'RE THE LITTLE THINGS THEY PUTS IN TINS WITH PORK,
AIN'T THEY?"]
* * * * *
OUR BOOKING-OFFICE.
(_By Mr. Punch's Staff of Learned Clerks_.)
During the past few years the plays and stories, especially
the stories, of ANTON TCHEHOV have so triumphantly captured
English-speaking readers that there must be many who will welcome with
eagerness the volume of his _Letters_ (CHATTO AND WINDUS). This happy
chance we owe, of course, directly to Mrs. CONSTANCE GARNETT, who here
proves once again that in her hands translation ranks as a fine art.
Both the _Letters_ and the Biographical Sketch that precedes them are
of extraordinary charm and interest. Because TCHEHOV'S stories are
so conspicuously uncoloured by the personality of their writer (his
method being, as it were, to lead the reader to a window of absolute
transparency and bid him look for himself), it comes almost as a shock
to find how vivid and many-hued that personality in fact was. Nor
is it less astonishing to observe a nature so alive with sympathy
expressing itself in an art so detached. More than once his letters to
literary friends are concerned with a defence of this method: "Let the
jury judge them; it's my job simply to show what sort of people they
are." They are filled also with a thousand instances of the author's
delight in nature, in country sights and scents, and of his love and
understanding for animals (from which of the Tales is it that one
recalls the dog being lifted into the cart "wearing a strained
smile"?) Throughout too, if you have already read the eight little
volumes that contain the stories--which I certainly advise as a
preliminary--you will be continually experiencing the pleasure of
recognising the inspiration for this or that remembered scene. In
short, one of the most fascinating books that has come my way for a
long time.
Public-domain text, read in full here on John Shaqi.
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