Punch, or the London Charivari, Volume 93, December 17, 1887 — John Shaqi
Punch, or the London Charivari, Volume 93, December 17, 1887Various
General
Punch, or the London Charivari, Volume 93, December 17, 1887
Various
English wit and humor -- Periodicals
_Pussy._ It's only to get me that _Graphic_--I'm sure that gentleman
over there has done with it.
[_The_ Adorer _fetches it with a lengthening face_: PUSSY _retires
behind the "Graphic," leaving him outside in solitude. At length he
asserts himself by fetching "Punch," (which he happens to have seen)
from an adjoining table. A Bachelor dining lonely and unloved on the
opposite side of the room, watches them with growing sense of
consolation._
AT THE SPEAKING-TUBE.
_Waiter._ Una voce poco fa maccaroni! _(At least, it sounds something
like this. A little cupboard arrives by the lift containing a dish which
the_ Waiter _hastens to receive. The new arrival is apparently of a
disappointing nature,--he returns it indignantly, and rushes back to
tube._) La ci darem la mano curri rabbito Gorgonzola!
_A Voice (from bottom of lift--argumentatively)._ Batti, batti; la donna
é mobile risotto Milanaise.
_Waiter (losing his temper)._ Altro! Sul campo della gloria vermicelli!
_The Voice (ironically)._ Parla tele d'amor o cari fior mulligatawni?
_Waiter (scathingly)._ Salve di mora casta e pura entrecote sauce
piquante crême à l'orange cotelettes pommes sautés basta-presto!
[_Corks up tube with the air of a man who has had the best of it._
AT ANOTHER TABLE.
_Two Brothers are seated here, who may be distinguished for the purposes
of dialogue as the_ Good Brother _and the_ Bad Brother _respectively.
The_ Good B. _appears (somewhat against his will) to be acting as host,
though he restricts his own refreshment to an orange, which he eats with
an air of severe reproof._ The Bad B. _who has a shifty sullen look and
a sodden appearance generally, is devouring cold meat with the intense
solemnity of a person conscious of being more than three parts drunk.
Both attempt to give their remarks an ordinary conversational tone._
_The Bad B. (suddenly, with his mouth full)._ Will you lend me five
shillings?
_The Good B._ No, I won't. I see no reason why I should.
_The B. B. (in a low passionate voice)._ Will you lend me five
shillings?
_The G. B. (endeavouring to maintain a virtuous calm)._ I don't _think_
I will.
_B. B._ You've been giving money away all the afternoon to people after
_I_ asked you for some!
_G. B. (roused)._ I was _not_. It's dashed impertinence of you to say
such a thing as that. I'm sick of this dashed nonsense--sick and tired
of it! If I hadn't some principle left still, I should have gone to the
East long ago!
_B. B._ I'm glad you didn't. I want five shillings.
_G. B._ Want five shillings! You keep on saying that, and never say what
you want it _for_. You must have some object. Do you want it to go and
get drunk on?
_B. B. (with a beery persistence)._ Lend me five shillings.
_G. B. (reflectively)._ I don't intend to.
_B. B. (in a tone of compromise)._ Then lend me a sovereign.
_G. B. (changing the subject with a chilling hospitality)._ Would you
like anything after that beef?
_B. B. (doggedly)._ I should like five shillings.
Public-domain text, read in full here on John Shaqi.
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