Punch, or the London Charivari, Volume 98, May 17, 1890.Various
General
Punch, or the London Charivari, Volume 98, May 17, 1890.
Various
English wit and humor -- Periodicals
"_This piece must come off at once_;" _i.e._, "I've got one which would
just come in nicely, and could let 'em have it cheap."
"_The dialogue is poor, the plot badly constructed_;" _i.e._, "These are
the two things for which everybody is going to praise this dramatic
author. So I'll have my knife into him."
"_The music is pretty enough, though some of the principal melodies
irresistibly call to mind the popular works of other composers_;"
_i.e._, "He'll be praised for his originality. Bah! I've written things
just as good as these."
"_A most amusing Article, but a little of it goes a long way_;" _i.e._,
Is tired of his subject, and wants to turn his attention to something
else.
SOCIAL.
"_It's a very curious fact_;" _i.e._, "Now to pile on the embroidery."
"_Now, do drop all formality, and look in to dinner quite in a friendly
way. But you must take us just as you find us_;" _i.e._, "It counts as a
formal invitation, and he's sure not to come."
"_You can't come! Oh, I'm so sorry!_" _i.e._, "Didn't even know I'd
asked her."
PLATFORMULARS.
"_If at any time, by one jot, or one tittle, or one hair's breadth, or
in the very slightest degree, or in the least_;" _i.e._, "What, oh, what
was I going to say? Can't go on like this for ever."
"_Never was the country menaced with a more critical danger; never was
our Party more enthusiastically united in confronting it_;" _i.e._, "It
won't make a bad cry, and may pull the stragglers together a bit."
"_An oration which for a splendid combination of close reasoning and
moving eloquence, is scarcely paralleled even among the many
masterpieces of the illustrious speaker_;" _i.e._, "An average speech
from the point of view of the speaker's journalistic supporters."
"_Its loose logic, ineffective rhetoric, and undignified petulance,
furnishes a pitiful proof of the intellectual and moral decadence of a
once great name_;" _i.e._, The same oration seen from the other side.
FRIENDLY COMMENTS ON CHARACTER AND ACCOMPLISHMENTS.
"_His knowledge of music is something quite phenomenal_;" _i.e._, "He
knows, and can talk about, absolutely nothing else."
"_Would be quite lovely, but for a certain_ je ne sais quoi _which
repels most people_;" _i.e._, "Beautiful beyond all criticism that is
not vaguely venomous."
"_You dear thing_!" _i.e._, "You inconsequent little noodle!"
CURIOMANIA.
"_How quite too weirdly quaint!_" _i.e._, "What an uncanny horror of
archaic ugliness!"
"_How quite too awfully kind of you to take all this trouble!_" _i.e._,
"Foolish old faddist! What is bliss to him is boredom to me."
"_How fearful you must be of fire!_" _i.e._, "Oh, for a lucky
conflagration!"
RAILROAD AMENITIES.
"_Oh, I'm sure I shall enjoy it immensely_;" _i.e._, "He can't talk any
more than a semaphore, and looks as sleepy as an owl."
"_What! You go right on to-day without changing? That is nice;_" _i.e._,
"Confound it! I thought there would be a chance of a cigar after the
Junction."
Public-domain text, read in full here on John Shaqi.
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