Punch, or the London Charivari, Volume 99, July 12, 1890Various
General
Punch, or the London Charivari, Volume 99, July 12, 1890
Various
English wit and humor -- Periodicals
It has been already said that the youth of the Jack of all Journalisms
is lost in obscurity. It is obvious that he cannot have acquired his
readiness of pen without much practice, but where the practice was
obtained is a puzzle to which each of his enemies has a different key.
Some say of him that he spent a year or two at a University, where
he was noted for the unfailing regularity with which he sought the
society of the wealthy, imbibed strong drinks, and omitted to pay
his debts. It is also alleged that he started a colourable University
imitation of the journal which happened at that particular time to be
the most highly coloured in London, and that, after struggling through
two numbers of convulsive scurrility, the infant effort withered under
the frown of the Authorities, who at the same time sent its founder
down. Others, however, declare him to have been the offspring of a
decayed purveyor of spurious racing intelligence, who naturally sent
his son to shift for himself after he had lost his last shirt in
betting against one of his own prophecies. Others again aver, and
probably with equal accuracy, that he was at no time other than
what he is when the world first becomes aware of his existence--the
blatant, cringing, insolent, able and disreputable wielder of a pen
which draws much of its sting and its profit from the vanities and
fears of his fellow-creatures. Be that as it may, he somehow becomes
a power. He attaches himself to many journals, the editors of which he
first pesters, afterwards serves, and always despises. He may perhaps
have dabbled in music, and caused a penniless friend who is musical to
write for small pay songs which he honours by attaching his own name
to them as their composer. Woe betide the unhappy aspirant to the
honours of public singing who ignores the demand of this quasi-musical
Turpin that she should sing his songs. For, having become in the
meantime a musical critic, he will devote all his talents to the
congenial task of abusing her voice in his organ--which is naturally
the more powerful instrument of the two. Should she, however, submit
to his extortionate requests, he will deem himself entitled to
embitter the rest of her existence with his patronising commendation.
Public-domain text, read in full here on John Shaqi.
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