However, before reaching this pitch, he will have made his mark as an interviewer and a picturesque social reporter. In the former capacity he will have hunted momentary celebrities into the sanctity of their rooms, whence, after exchanging two words with them, he will have emerged with two columns of conversation. In the latter capacity, he will create for himself and the readers of his paper a social circle, the members of which, bear the same relation to Society proper as a lurcher does to a pure-bred greyhound. For there are many so-called social sets which are select merely because few desire to enter and many to leave them, and to these the Jack of all Journalisms is often a prophet and a leader pointing the way to the promised land. Thus we learn, with surprise, at first, and afterwards with the yawn that comes of the constant repetition of an ascertained fact, that the receptions of Lady TIFFIN are a model of all that is elegant and _recherché_, whilst the dresses and jewels of Mrs. JIFFS are always a subject of enthusiastic admiration to those amongst whom she moves; and it is only in moments of peculiar moroseness that we remember that neither of these two ladies is qualified by position or refinement for anything more than a passing smile. Yet to many, the mere fact that they are mentioned in paragraphs, is proof positive of their descent from the VERE DE VERES. Moreover, the Jack of Journalisms will, at one time or another, have risen from the position of one who chronicles second-rate shows in remote corners of his paper, to be the recognised dramatic critic of a powerful organ. He thus acquires an extraordinary influence which he consolidates amongst outsiders by occasional lapses into a fury of critical honesty and abuse. It may be said of him, indeed, that, "Hell hath no fury like a critic scorned," for if he should, on any occasion, have taken umbrage at the treatment accorded to him by an actor or a manager, he will never allow the offence to fade, so long as he can fashion insinuations, misconstrue motives, or manufacture failure with his pen. [Illustration]