Punchinello, Volume 1, No. 12, June 18, 1870 — John Shaqi
Punchinello, Volume 1, No. 12, June 18, 1870Various
General
Punchinello, Volume 1, No. 12, June 18, 1870
Various
American wit and humor -- Periodicals
Mr. M'VICKER, having read of the MCFARLAND trial, immediately conceived
the happy idea that the time had come when a Chicago actor would please
a New York audience. Ha therefore flew to this city, by way of the
Mississippi river and the New Orleans and Havana steamships, and last
week made a debut at BOOTH'S Theatre. With an astuteness which reflects
great credit upon his ability as a manager, he astonished the audience,
which had assembled to be shocked by a genuine Chicago performance,
by playing a part which fairly bristles with unnecessarily obtrusive
morality. Thus did he present a double attraction. A Chicago actor would
have been sure, in any case, of the support of the Free Love Press; but
a moral Chicago actor is a surprise which appeals irresistibly to the
love of novelty which exists in the theatre-going breast. The play
in which he made his first appearance here, is entitled "Taking the
Chances," and is from the pen of Mr. CHARLES GAYLER, to whom Dr. WATTS
so beautifully referred in those touching verses:
"Gayler, the Troubadour,
Touched his guitar,"
--and further language to a like effect. Mr. M'VICKER sustained the
character of "PETER POMEROY," one of those oppressive rural Yankees
whose mission seems to be to drive young men into the paths of vice, by
representing virtue as inextricably associated with home-spun garments,
and the manners of an uneducated bull in an unprotected china shop. The
following version of the play will be recognized as literally exact, by
all who have not seen the original.
Taking the Chances.
ACT I.
MR. POMEROY, _a Preposterous Uncle, who regards his nephew_, PETER, _as
a desirable person._ "My dear PETER will he here in a few moments. His
presence will be a real blessing."
MRS. POMEROY. "I am sorry to hear it. He breaks furniture and things,
and I don't like him."
_Enter_ IRRELEVANT PEOPLE, _who make unnecessary remarks, and obviously
exist only to meet_ PETER. _Finally_ PETER _enters, in butternut
clothing and a condition of chronic moral perfection._
PETER. "Jewhillikins! Haow de du, Unkil? Haow are ye, Aunt DEB? Haow is
everybody? Our pigs and chickens and garden-sass is all doin' well."
--_Falls on a chair._
PREPOSTEROUS UNCLE. "Dear, noble, manly fellow."
EVERYBODY ELSE. "Unbearable brute."
_Enter_ BLANCHE POMEROY. "Do I see my dear cousin? I am glad to see you,
but please don't tear all of my dress to pieces."
PETER. "_Jewhillikins!_" "You used to not to mind abaout havin' your
frock torn when you was up at Graniteville. But I s'pose society has
sp'iled you."
_Enter_ PLAUSIBLE VILLAIN, _and whispers to_ BLANCHE--"To-night you must
fly with me. We have not a moment to lose."
PETER. "_Jewhillikins!_ That is the chap that deserted his wife in
Graniteville? I'll fix him."
PLAUSIBLE VILLAIN. "What do I see? A virtuous rustic? Confusion! Can he
suspect me?"
Public-domain text, read in full here on John Shaqi.
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