Puppets at Large: Scenes and Subjects from Mr Punch's Show — John Shaqi
Puppets at Large: Scenes and Subjects from Mr Punch's ShowAnstey, F.
General
Puppets at Large: Scenes and Subjects from Mr Punch's Show
Anstey, F.
English wit and humor
The VERGER. The tracery, Ma'am? That was restored at the same time by a
local man--and a shocking job he made of it, too!
The PLAST. S. Yes, it _quite_ spoils the Cathedral, _doesn't_ it?
Couldn't it be taken down?
The VERGER (_in answer to another Inquirer_). Crowborough Cathedral
finer than this, Sir? Oh, _dear_ me, no. I went over a-purpose to 'ave a
look at it the last 'oliday I took, and I was quite surprised to find
'ow very inferior it was. The spire? I don't say that mayn't be 'igher
as a mere matter of feet, but our lantern-tower is so 'appily
proportioned as to give the effect of being by far the 'ighest in
existence.
A TRAVELLED S. Ah, you should see the _continental_ cathedrals. Why,
_our_ towers would hardly come up to the top of the naves of some of
them!
The VERGER (_loftily_). I don't take no notice of foreign cathedrals,
Ma'am. If foreigners like to build so ostentatious, all I can say is,
I'm sorry _for_ them.
A LADY (_who has provided herself with a "Manual of Architecture" and an
unsympathetic_ COMPANION). _Do_ notice the excessive use of the
ball-flower as a decoration, dear. Parker says it is especially
characteristic of this cathedral.
UNSYMPATHETIC COMPANION. I don't see _any_ flowers myself. And if they
like to decorate for festivals and that, where's the harm?
[_The_ LADY WITH THE MANUAL _perceives that it is hopeless to
explain_.
The VERGER. The dog-tooth mouldings round the triforium harches is
considered to belong to the best period of Norman work----
The LADY WITH THE MANUAL. Surely not _Norman_? Dog-tooth is Saxon, _I_
always understood.
The VERGER (_indulgently_). You'll excuse _me_, Ma'am, but I fancy it's
'erringbone as is running in _your_ 'ed.
The LADY WITH THE M. (_after consulting "Parker" for corroboration, in
vain_). Well, I'm sure dog-tooth is quite _Early English_, anyway. (_To
her_ COMPANION.) Did you know it was the interlacing of the round arches
that gave the first idea of the pointed arch, dear?
Her COMP. No. But I shouldn't have thought there was so very much in the
_idea_.
The LADY WITH THE M. I do _wish_ you took more _interest_, dear. Look at
those two young men who have just come in. They don't _look_ as if
they'd care for carving; but they've been studying every one of the
Miserere seats in the choir-stalls. That's what _I_ like to see!
The VERGER. That concludes my dooties, ladies and gentlemen. You can go
out by the South Transept door, and that'll take you through the
Cloisters. (_The Party go out, with the exception of the two_ 'ARRIES,
_who linger, expectantly, and cough in embarrassment._) Was there
anything you wished to know?
FIRST 'ARRY. Well, Mister, it's on'y--er--'aven't you got some old
carving or other 'ere of a rather--well, _funny_ kind--sorter thing you
on'y show to _gentlemen_, if you know what I mean?
The VERGER (_austerely_). There's nothing in _this_ Cathedral for
gentlemen o' _your_ sort, and I'm surprised at your expecting of it.
Public-domain text, read in full here on John Shaqi.
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