The fact seems to be that the more closely we examine the highest
examples of the noblest class of literature the more we become
persuaded that democracy has scarcely had any effect upon them at all.
It has not interfered with the poets, least of all has it dictated to
them. It has listened to them with respect; it has even contemplated
their eccentricities with admiration; it had tried, with its millions
of untrained feet, to walk in step with them. And when we turn from
poetry to the best science, the best history, the best fiction, we find
the same phenomenon. Democracy has been stirred to its depths by the
writings of Darwin; but who can trace in those writings the smallest
concession to the judgment or desire of the masses? Darwin became
convinced of certain theories. To the vast mass of the public these
theories were incredible, unpalatable, impious. With immense patience,
without emphasis of any kind, he proceeded to substantiate his views,
to enlarge his exposition; and gradually the cold body of democratic
opposition melted around that fervent atom of heat, and, in response
to its unbroken radiation, became warm itself. All that can be said
is that the new democratic condition is a better conductor than the
old oligarchical one was. Darwin produces his effect more steadily and
rapidly than Galileo or Spinoza, but not more surely, with exactly as
little aid from without.
As far, then, as the summits of literature are concerned--the great
masters of style, the great discoverers, the great intellectual
illuminators--it may be said that the influence of democracy upon
them is almost _nil_. It affords them a wider hearing, and therefore
a prompter recognition. It gives them more readers, and therefore
a more direct arrival at that degree of material comfort necessary
for the proper conduct of their investigations, or the full polish
of their periods. It may spoil them with its flatteries, or diminish
their merit by seducing them to over-production; but this is a question
between themselves and their own souls. A syndicate of newspapers,
or the editor of a magazine may tempt a writer of to-day, as Villon
was tempted with the wine-shop, or Coleridge with laudanum; but that
is not the fault of the democracy. Nor, if a writer of real power is
neglected, are people more or less to blame in 1892 than they were for
letting Otway starve two hundred years ago. Some people, beloved of
the gods, cannot be explained to mankind by king or caucus.
Public-domain text, read in full here on John Shaqi.
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