So far, therefore, as our present experience goes, we may relinquish
the common fear that the summits of literature will be submerged
by democracy. When the new spirit first began to be studied, many
whose judgment on other points was sound enough were confident that
the instinctive programme of the democratic spirit was to prevent
intellectual capacity of every kind from developing, for fear of the
ascendency which it would exercise. This is communism, and means
democracy pushed to an impossible extremity, to a point from which it
must rebound. No doubt, there is always a chance that a disturbance of
the masses may for a moment wash over and destroy some phase of real
intellectual distinction, just as it may sweep away, also for a moment,
other personal conditions. But it looks as though the individuality
would always reassert itself. The crowd that smashed the porcelain
in the White House to celebrate the election of President Andrew
Jackson had to buy more to take its place. The White House did not
continue, even under Jackson, to subsist without porcelain. In the same
way, edicts may be passed by communal councils forbidding citizens
to worship the idols which the booksellers set up, and even that
consummation may be reached, to which a prophet of our own day looks
forward, when we shall all be forced by the police to walk hand in hand
with "the craziest sot in the village" as our friend and equal; none
the less will human nature, at the earliest opportunity, throw off the
bondage, and openly prefer Darwin and Tennyson to that engaging rustic.
Indeed, all the signs of the times go to suggest that the completer the
democracy becomes, the vaster the gap will be in popular honour between
the great men of letters and "the craziest sot in the village." It is
quite possible that the tyranny of extreme intellectual popularity may
prove as tiresome as other and older tyrannies were. But that's another
story, as the new catchword tells us.
Literature, however, as a profession or a calling, is not confined to
the writings of the five or six men who, in each generation, represent
what is most brilliant and most independent. From the leaders, in
their indisputable greatness, the intellectual hierarchy descends to
the lowest and broadest class of workers who in any measure hang on
to the skirts of literature, and eke out a living by writing. It is
in the middle ranks of this vast pyramid that we should look to see
most distinctly the signs of the influence of democracy. We shall not
find them in the broad and featureless residuum any more than in the
strongly individualised summits. But we ought to discover them in the
writers who have talent enough to keep them aloft, yet not enough to
make them indifferent to outer support. Here, where all is lost or
gained by a successful appeal to the crowd as it hastens by, we might
expect to see very distinctly the effects of democracy, and here,
perhaps, if we look closely, we may see them.
Public-domain text, read in full here on John Shaqi.
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