“The house above was said to be on the identical site of a suburban retreat of the admirable Tiberius; there was the old sinner’s private theatre with the tiers cut clean to this day, the well where he used to fatten his lampreys on his slaves, and a ruined temple of those ripping old Roman bricks, shallow as dominoes and ruddier than the cherry. I never was much of an antiquary, but I could have become one there if I’d had nothing else to do; but I had lots. When I wasn’t busy with the boats I had to trim the vines, or gather the grapes, or even help make the wine itself in a cool, dark, musty vault underneath the temple, that I can see and smell as I jaw. And can’t I hear it and feel it too! Squish, squash, bubble; squash, squish, guggle; and your feet as though you had been wading through slaughter to a throne. Yes, Bunny, you mightn’t think it, but this good right foot, that never was on the wrong side of the crease when the ball left my hand, has also been known to ‘crush the lees of pleasure From sanguine grapes of pain.’” He made a sudden pause, as though he had stumbled on the truth in jest. His face filled with lines. We were sitting in the room that had been bare when first I saw it; there were basket-chairs and a table in it now, all meant ostensibly for me; and hence Raffles would slip to his bed, with schoolboy relish, at every tinkle of the bell. This afternoon we felt fairly safe, for Theobald had called in the morning, and Mrs. Theobald still took up much of his time. Through the open window we could hear the piano-organ and “Mar—gar—rì” a few hundred yards further on. I fancied Raffles was listening to it while he paused. He shook his head abstractedly when I handed him the cigarettes; and his tone hereafter was never just what it had been.