Bathed, rested, and in Sunday dress, Ramuntcho was going with his mother to the high mass of All-Saints' Day. On the path, strewn with reddish leaves, they descended toward their parish, under a warm sun which gave to them the illusion of summer. He, dressed in a manner almost elegant and like a city denizen, save for the traditional Basque cap, which he wore on the side and pulled down like a visor over his childish eyes. She, straight and proud, her head high, her demeanor distinguished, in a gown of new form; having the air of a society woman, except for the mantilla; made of black cloth, which covered her hair and her shoulders. In the great city formerly she had learned how to dress--and anyway, in the Basque country, where so many ancient traditions have been preserved, the women and the girls of the least important villages have all taken the habit of dressing in the fashion of the day, with an elegance unknown to the peasants of the other French provinces. They separated, as etiquette ordains, in the yard of the church, where the immense cypress trees smelled of the south and the Orient. It resembled a mosque from the exterior, their parish, with its tall, old, ferocious walls, pierced at the top only by diminutive windows, with its warm color of antiquity, of dust and of sun. While Franchita entered by one of the lower doors, Ramuntcho went up a venerable stone stairway which led one from the exterior wall to the high tribunes reserved for men. The extremity of the sombre church was of dazzling old gold, with a profusion of twisted columns, of complicated entablements, of statues with excessive convolutions and with draperies in the style of the Spanish Renaissance. And this magnificence of the tabernacle was in contrast with the simplicity of the lateral walls, simply kalsomined. But an air of extreme old age harmonized these things, which one felt were accustomed for centuries to endure in the face of one another. It was early still, and people were hardly arriving for this high mass. Leaning on the railing of his tribune, Ramuntcho looked at the women entering, all like black phantoms, their heads and dress concealed under the mourning cashmere which it is usual to wear at church. Silent and collected, they glided on the funereal pavement of mortuary slabs, where one could read still, in spite of the effacing of ages, inscriptions in Euskarian tongue, names of extinguished families and dates of past centuries. Gracieuse, whose coming preoccupied Ramuntcho, was late. But, to distract his mind for a moment, a “convoy” advanced slowly; a convoy, that is a parade of parents and nearest neighbors of one who had died during the week, the men still draped in the long cape which is worn at funerals, the women under the mantle and the traditional hood of full mourning.