American fiction -- 20th century; Short stories, American
The life which went on after this seems as real to me as though I had
lived it with them, because when I first saw them, they were fresh
from it, and could speak of little else. Every day was thrust at them
full of the noisome poison of prison life, idleness, indifference,
despair, bitterness, hatred, personal degeneration; and every day they
poured out this poison resolutely and filled its place with intelligent
occupation! Just to keep clean was a prodigious undertaking, which
they attacked in squads, turn by turn. With sand, water, and bricks
for rubbing, they kept the room immaculate, though it took hours to
do it. Even the blankets were washed out after a fashion, one by one
at intervals, by women who had never before so much as washed out
a handkerchief. To prepare the food with the more than inadequate
utensils and poor materials and the stove unsuited for cooking was
a tremendous problem, but they all took turns at it, Octavie humbly
acting as scullery-maid when her turn for service came; and the food,
though poor, monotonous, and coarse, was infinitely superior, being
prepared with brains and patience, to what was served all around them
to the apathetic, healthless mobs of Russian and Polish women and men,
sunk despairingly in degradation and disease, “giving up and lying down
in their dirt,” Octavie told me, “to die like beasts.”
The older and weaker women among the Tourciennes group, who could not
holystone the floor and carry water and wood, were set at the lighter
tasks, the endless mending which kept their garments from becoming
mere rags, peeling turnips, washing dishes, “making the beds” as they
called the process of drying and airing the straw in the bunks.
Every day they went out in all weathers, and exercised and played ball
with their home-made, straw-stuffed balls, and every evening they
played games, checkers, guessing games, capped rimes, told stories and
sang. They all “studied singing” and sang in twos, trios, quartets, or
the whole forty in a chorus. They sang anything any one could remember,
old folk-songs of which there are such an infinite variety in French,
ballads, church-chants, songs from operas.
Octavie told me that one evening, when the false news which was
constantly served to them was specially bad, when they had been told
that half the French Army was taken prisoner, and the other half in
retreat south of Paris, they sang with the tears running down their
cheeks, but still sang, and kept their hearts from breaking.
Public-domain text, read in full here on John Shaqi.
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