American fiction -- 20th century; Short stories, American
Do I seem to be advocating a habit of mind which would put an end to
the writing of novels altogether? Personally I do not believe that the
foundations of the world would move by a hair if that end were brought
about. But, as a matter of fact, I do not in the least think that
novel-writing would be anything but immensely benefited by a reading
public which had acquired its own eyesight and did not depend on the
writer’s. Such a body of creative-minded readers would lift the art of
fiction up to levels we have none of us conceived. With such a public
of trained, practised observers, fiction could cast off the encumbering
paraphernalia of explanations and photographs which now weigh it down.
There need be no fear for the future of fiction if every one takes to
being his own novelist. For then readers will not look in novels for
what is never there, reality itself. They will look for what is the
only thing that ought to be there, the impression which reality has
made on the writer, and they will have an impression of their own with
which to compare that of the writer. This will free the author forever
from attempting the impossible, bricks-without-straw undertaking of
trying to get life itself between the covers of a book.
For never, never can fiction hope to attain myriads of effects which
life effortlessly puts over wherever we look, if we will only see what
is there. If we leave those inimitable natural effects of beauty, or
fun, or tragedy, or farce entirely for the professional writer to see
and enjoy and ponder on, we are showing the same sort of passive,
closed imaginations which lead Persians to sit obesely at ease on
cushions, and watch professional dancers have all the fun of dancing.
The phrase which we traditionally ascribe to them is this, “Why bother
to dance yourselves, when you can hire somebody to do it much better?”
But that is our own unspoken phrase about the raw material of art
and its monopoly by the professional artist. We Westerners dance,
ourselves, not because we have any notion that we can dance better than
the professionals, but because we have discovered by experience that
to dance gives us a very different sort of pleasure from that given by
looking at professionals. We have also discovered that it does not at
all prevent us from hiring professionals and enjoying them as much as
any Persians.
Public-domain text, read in full here on John Shaqi.
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