American fiction -- 20th century; Short stories, American
It is for the active-minded people who enjoy doing their own thinking
as well as watching the author do his, that I have put this volume
together. When life speaks to them, their hearts answer, as a friend
to a friend. They are my brothers and my sisters. They practise the
delight-giving art of being their own authors. They know the familiar,
exquisite interest of trying to arrange in coherence the raw material
which life constantly washes up to every one in great flooding masses.
And they do this for their own high pleasure, with no idea of profiting
by it in the eyes of the world. They work to create order out of chaos
with a single-hearted effort, impossible to poor authors, tortured
by the aching need to get the results of their efforts into words
intelligible to others.
Being useful in other ways to the world, it is quite permissible for
them to indulge in what was pernicious self-indulgence for an artist
like Wencelas Steinbock. They are good children who, having nourished
themselves on the substantial food of useful work, may eat candy
without risking indigestion. The artist’s work is the fatiguing attempt
to transform the wonder of life into art! Those other disinterested
observers of life, those wise, deeply pondering, far-seeing men and
women, driven by their own need to make something understandable out of
our tangled life, struggle, just as the artist does, to piece together
what they see into intelligible order. But they do this in their
own hearts, for their own satisfaction. How singularly free-handed
and open-hearted and generous their attitude seems, compared to the
artist’s frugal, not to say penurious, not to say avaricious, anxiety
to utilize every scrap of his life as raw material for his art.
Such people have, as the reward for their disinterested attitude of
mind, all the pleasures of the creative artist’s life and none of its
terrible pains. All the pleasure, that is, except the dubious one
of seeing themselves in print. This is--for me at least--a pleasure
deeply colored with humiliation. The stuff which I manage to get into
a printed book is so tragically dry and lifeless compared to the
vibrating, ordered, succulent life which goes on inside my head before
I put pen to paper! For my part, I envy the clever, happy people who
are content to let it stay in their heads, and never try to decant it
into a book, only to find that the bouquet and aroma are all gone. I
quite sympathize with them when they are impatient with the verbose
literal-minded garrulity with which most writers of fiction spread out
clumsily over two pages that which takes but a flash to think or to
feel. They think, and quite rightly, that what is slowly written out in
the inaccurate, halting system we call language, bears little relation
to the arrow-swift movements of the thinking mind and feeling heart.
Public-domain text, read in full here on John Shaqi.
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