Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)Badcock, John, active 1816-1830
General
Real Life In London, Volumes I. and II.: Or, The Rambles and Adventures of Bob Tallyho, Esq., and His Cousin, the Hon. Tom Dashall, Through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life (1821)
Badcock, John, active 1816-1830
London (England) -- Social life and customs -- 19th century
The next advance of our hero was an important step. The mail-coach is
considered the school; its driver, the great master of the art--the
_Phidias_ of the statuary--the _Claude_ of the landscape-painter. To
approach him without preparatory instruction and study, would be like
an attempt to copy the former without a knowledge of anatomy, or the
latter, while ignorant of perspective. The standard of excellence--the
model of perfection, all that the highest ambition can attain, is to
approach as near as possible the original; to attempt a deviation, would
be to _bolt out of the course, snap the curb, and run riot_. Sensible
of the importance of his character, accustomed to hold the reins of
arbitrary power; and seated where will is law, the mail-whip carries
in his appearance all that may be expected from his elevated situation.
Stern and sedate in his manner, and given to taciturnity, he speaks
sententiously, or in monosyllables. If he passes on the road even an
humble follower of the profession, with four tidy ones in hand, he
views him with ineffable contempt, and would consider it an irreparable
disgrace to appear conscious of the proximity. Should it be a country
gentleman of large property and influence, and he held the reins,
and handled the whip with a knowledge of the art, so to “get over the
ground,” coachy might, perhaps, notice him “_en passant_,” by a slight
and familiar nod; but it is only the peer, or man of first-rate sporting
celebrity, that is honoured with any thing like a familiar mark of
approbation and acquaintance; and these, justly appreciating the proud
distinction, feel higher gratification by it than any thing the monarch
could bestow: it is an inclination of the head, not forward, in the
manner of a nod, but towards the off shoulder, accompanied with a
certain jerk and elevation from the opposite side. But here neither pen
nor pencil can depict; it belongs to him alone whose individual powers
can nightly keep the house ~9~~in a roar, to catch the living manner and
present it to the eye.
“----A merrier man
Within the limit of becoming mirth,
I never spent an hour's talk withall:
His eye begets occasion for his wit;
For every object that the one doth catch
The other turns to a mirth-moving jest.”
Public-domain text, read in full here on John Shaqi.
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