Recently Recovered "Lost" Tudor Plays with some others
History
Recently Recovered "Lost" Tudor Plays with some others
English drama -- Early modern and Elizabethan, 1500-1600; Interludes, English; Moralities, English
nothing for the factional strife of either camp, except so far as
it affected them from a social point of view. Hence the _motif_
of _Respublica_ and its curiously moderate tone. It would really
seem that Queen Mary was possessed of a softness not usually
credited to her, and that she succumbed to political faction
as her brother before her and her sister after her succumbed.
It is, therefore, this aspect--the social aspect--of the great
upheaval with which the author of _Respublica_ is concerned,
and no more pithy or pungent contemporary narrative or satire
exists. Apart from the regrettable shortcomings of Mr. Magnus'
volume in other respects, he has done useful yeoman service
to English scholarships by tracing and emphasising, point by
point, the action of the play in its relation to political
events, practically identifying the play as a stage version
of the events of the reign of Edward VI. I can only refer my
readers to his altogether admirable analysis--a statement of
fact and resumé which happily is not and cannot be marred by
the evil influence of inaccuracy of reference and quotation.
Further, if Mr. Magnus' essay be read in conjunction with that
portion of Hallam's _Constitutional History of_ _England_,
which concerns this period--Macaulay's famous review of the same
will serve admirably--and with Book II. of Burnett's _History of
the Reformation_, the key will be found to emphasise the points
made by Mr. Magnus, and to illustrate and explain the political
and social allusions with which _Respublica_ abounds. On the
question of authorship, Mr. Magnus also attempts an attribution,
suggesting Udall, the author of _Ralph Roister Doister_. His
facts and inferences are, to my mind, inconclusive; as he himself
admits. Identity of phraseology, tricks of style, similarity of
orthography, and the like, are at best uncertain grounds to form
the basis of Tudor attributions. Very shortly the _corpus_ of
pre-Shakespearean drama now in progress will enable the student
to tackle his subject to more purpose than heretofore.
RESTED, "would have _rested_ me" (IP316,_c_), a contracted form of
_arrest_.
RESTORITY, "it is _restority_" (R222,_c_), restorative; note the
exigency of the rhyme.
RICEPUDDING-CAKE (R. _passim_), Respublica (_q.v._).
RINGWORM, "a _running ringworm_" (M28,_a_), _i.e._ the mark of the
halter round New Guise's neck.
RODS, "_rods in piss_" (R219,_b_), a reckoning in store.
ROND, "_rond_ in your ear" (M14,_c_), whisper.
ROOM, "to have with him a _room_" (N49,_d_; 50,_a_), post,
office, station, position. "To have and enjoy that office and
_room_."--Holinshed, _Scotland_ (an. 1543).
Public-domain text, read in full here on John Shaqi.
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