The village, as we guessed, is inhabited by miners; the mines belong to
the Duke of Queensberry. The road to the village, down which the lads
scampered away, was straight forward. I must mention that we met, just
after we had parted from them, another little fellow, about six years
old, carrying a bundle over his shoulder; he seemed poor and half
starved, and was scratching his fingers, which were covered with the
itch. He was a miner’s son, and lived at Wanlockhead; did not go to
school, but this was probably on account of his youth. I mention him
because he seemed to be a proof that there was poverty and wretchedness
among these people, though we saw no other symptom of it; and afterwards
we met scores of the inhabitants of this same village. Our road turned
to the right, and we saw, at the distance of less than a mile, a tall
upright building of grey stone, with several men standing upon the roof,
as if they were looking out over battlements. It stood beyond the
village, upon higher ground, as if presiding over it,—a kind of
enchanter’s castle, which it might have been, a place where Don Quixote
would have gloried in. When we drew nearer we saw, coming out of the
side of the building, a large machine or lever, in appearance like a
great forge-hammer, as we supposed for raising water out of the mines.
It heaved upwards once in half a minute with a slow motion, and seemed to
rest to take breath at the bottom, its motion being accompanied with a
sound between a groan and ‘jike.’ There would have been something in
this object very striking in any place, as it was impossible not to
invest the machine with some faculty of intellect; it seemed to have made
the first step from brute matter to life and purpose, showing its
progress by great power. William made a remark to this effect, and
Coleridge observed that it was like a giant with one idea. At all
events, the object produced a striking effect in that place, where
everything was in unison with it—particularly the building itself, which
was turret-shaped, and with the figures upon it resembled much one of the
fortresses in the wooden cuts of Bunyan’s ‘Holy War.’
Public-domain text, read in full here on John Shaqi.
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