I do not know whence I derived the deep impression I expressed in this
letter of the moral dangers of the life upon which I was entering;
certainly not from my parents, to whom, of course, the idea that actors
and actresses could not be respectable people naturally did not occur,
and who were not troubled, I am sure, as I then was, with a perception
of the more subtle evils of their calling. I had never heard the nature
of it discussed, and was absolutely without experience of it, but the
vapid vacuity of the last years of my aunt Siddons's life had made a
profound impression upon me,--her apparent deadness and indifference to
everything, which I attributed (unjustly, perhaps) less to her advanced
age and impaired powers than to what I supposed the withering and drying
influence of the overstimulating atmosphere of emotion, excitement, and
admiration in which she had passed her life; certain it is that such was
my dread of the effect of my profession upon me, that I added an earnest
petition to my daily prayers that I might be defended from the evil
influence I feared it might exercise upon me.
As for my success, there was, I believe, a genuine element in it, for
puffing can send upward only things that have a buoyant, rising quality
in themselves; but there was also a great feeling of personal sympathy
for my father and mother, of kindly indulgence for my youth, and of
respectful recollection of my uncle and aunt; and a very general desire
that the fine theater where they had exercised their powers should be
rescued, if possible, from its difficulties. All this went to make up a
result of which I had the credit.
Public-domain text, read in full here on John Shaqi.
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