Once upon a time--I like that old, time-honoured opening; it makes
one so nobly free, gives one so much room to stretch one's wings in,
ties one down to no king's reign, no hampering, clogging century--once
upon a time there was a valley in Taffy-land; there is still, unless
some very recent convulsion has upheaved it to the top of a mountain,
or submerged it beneath the big Atlantic waves; a valley lovelier
than that one in "Ida," where "beautiful Paris, evil-hearted Paris,"
pastured his sheep and his jet-black goats, and inaugurated his rakish
course; a valley where there are no dangerous, good-looking Parises,
only one or two red-headed Welsh squires, who have each married, or
will in the fulness of time each marry, one lawful wife--red-headed,
too, very likely; and have never made, will never make, love to any
Enones or other ill-conducted young shepherdesses. In fact, in that
Arcadia there are no such shepherdesses; the daughters of the Cymri do
not "ply the homely shepherd's trade," nor would they shed much romance
over it if they did; for with sorrow be it spoken, blowsy are they
mostly, hard-featured, toothless; and, moreover, the little nimble,
lean sheep that go scrambling and jumping and skurrying about the
rough crags and steep hill-sides do not need any crook'd and melodious
Dowsabellas or Neæras to look after them and guide them in the way they
should go.
In that valley there are plenty of houses, squires' houses and
peasants' houses, where the propagation of the Cambrian is conducted
with much success; houses big and little, red-faced and white-faced
and dirty-faced, old and new. But we have at present to do with only
one of those houses, and it comes under the head of the littles and
the olds. Halfway up a hill-side it stands, looking across the valley
to other higher hills that swell out softly against the sky, and go
sloping gently down to the sea twenty miles away. They always remind
me--I don't know why--of the distant hills in Martin's picture of the
"Plains of Heaven;" so mistily do they rise in their hazy blueness. It
is a snug, unpretending little house enough, with its black and white
cross-beamed front and unwalled kitchen-garden straggling steeply up
the slope at the back. Many and many a day has it stood there, seeing
generations and fashions come in and go out; has stood there since the
far-away days when men wore curly wigs half-way down their backs, and
sky-blue coats, and fought and died for prerogative and King Charles,
or fought and lived for England and liberty: when most houses were
black and white, like its little elderly self, before plate glass or
stucco, or commodious villa residences, five minutes' walk from a
station, were dreamed of. The name of the little house is Glan-yr-Afon.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
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