Reflections on the Music Life in the United StatesSessions, Roger
History
Reflections on the Music Life in the United States
Sessions, Roger
Music -- United States
Let us again briefly summarize the situation at the beginning of
this century: in several American cities there existed first-class
orchestras, some of them led by conductors to be counted among the
great of the period. Their repertory was comparable to that heard in
any great European music center. There was an abundance of chamber
music, as well as of solo instrumental and vocal concerts. There has
been little change since that time. The change that has taken place
lies in the fact that similar conditions now prevail in almost all
major cities throughout our country, and, at least as important, that
the concerts are presented to an overwhelmingly great extent by
artists resident in America, that the majority of them are American
citizens and an increasing number are natives of America. There are,
to be sure, also complications and disturbing elements in the present
situation; of this we shall speak later.
As far as opera is concerned, the situation is not parallel. In the
early years of this century, there was in New York not only the
Metropolitan, already known throughout the world, but for several
seasons there was also the Manhattan Opera Company, more enterprising
than the former, artistically speaking. There were independent
companies also in Boston, Philadelphia, Chicago, San Francisco, and
the venerable and still existent company in New Orleans. At the time
of this writing there is only the Metropolitan--which has become much
less enterprising and less glamorous--in addition to the more modest
but more progressive City Center Opera. Finally, there is the short
autumn season of the San Francisco Opera. The operatic situation is,
superficially at least, less favorable than concert life.
No doubt there are reasons why a whole generation of musicians, in the
second and third decades of our century, should have become conscious
of a determination to prevail as composers, performers, scholars, and
teachers. However, these reasons never are entirely clear. World War I
and the experiences which it brought to the United States undoubtedly
played a major role, but these experiences do not afford the full
explanation since the movement already had begun before the war in the
minds of many who had made their decisions even as children. In this
sense the war effected little change. We shall deal with this in the
following pages, and shall attempt to arrive at an estimate of its
scope and meaning.
III
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