Reflections on the Music Life in the United StatesSessions, Roger
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Reflections on the Music Life in the United States
Sessions, Roger
Music -- United States
Negative comment on the music life in the United States is as easy to
make as it is frequently heard. Less easy, but at least revealing,
is an honest appraisal of the factors which make the United States
a stimulating place for serious musicians to live. Like so many
subjects dealing with the cultural life here, this one is clouded
with propaganda, and with the assumptions propaganda nourishes. Yet,
as we have previously implied, after one has discounted not only the
propaganda element, but also much that is problematical and immature,
there remain facts which become profoundly interesting with increased
knowledge.
Such reflections are applicable to the whole range of our music life,
but specifically to concert and opera in this country. In no other
land, we believe, is there such a divergence between what takes place,
on the one hand, in the established concert and operatic life, and, on
the other, in musical enterprises supported by universities, schools,
or private groups of citizens, enterprises run not for profit but for
the musical experience that can be gained from them. These latter aim
at such quality as can be achieved under given conditions, but with no
pretense that it is of the highest possible caliber. The uniqueness
of this situation is remarkable; furthermore, it serves to throw
light, the clearest possible, on certain grave problems. Previously
we have stressed the fluidity of our culture and the fact that it
often presents itself under the guise of a struggle of conflicting
forces. This state of affairs is, of course, not peculiar to the
United States alone, but it is characteristic to some degree of all
cultural life, and in fact of life itself. Here we are concerned with
one of these forces, the increasing assertion of an impulse toward
productive musical activity throughout a country, and its struggle
for a legitimate and effective role in the whole music life. It would
be premature to state that that struggle is virtually over. Even to
those of us who have participated in it over the years, the problems
and obstacles at moments still seem insuperable. Nevertheless, it
is necessary to look back over the years to regain one’s sense of
perspective and one’s confidence in the eventual outcome.
Public-domain text, read in full here on John Shaqi.
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