Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of artWinckelmann, Johann Joachim
Philosophy
Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of art
Winckelmann, Johann Joachim
Aesthetics -- Early works to 1800; Art -- Philosophy; Art, Greek
On the Mummy marked with the inscription, this figure represents a
man, who died in the flower of life, with a thin curled beard, not
as represented by Kircher, like an old man with a long pointed one.
The colour of the face and hands is brown: the head encircled with
gilt diadems, marked with the sockets of jewels. From the gold chain,
painted around the neck, a sort of medal hangs down, marked with various
characters, crescents, &c. and this over-reaches the neck of a bird, that
of a hawk perhaps, as on the breasts of other Mummies[79]. In the right
hand of the figure is a dish filled with a red stuff, which being like
that used by the sacrificers[80], the deceased may be supposed to have
been a priest. The first and last finger of the left hand have rings; and
in the hand itself there is something round, of a dark-brown colour;
which, as Della Valle pretends, is a well-known fruit. The feet and legs
are bare, with sandals; the strings of which appearing between the great
toes, are, with a slip, fastened on the foot itself.
The inscription, above-mentioned, is beneath the breast.
The second Mummy is the still more refined figure of a young woman.
Among a great many medals, seemingly gilt, and other figures, there are
certain birds, and quadrupeds something analogous to lions; and towards
the extremities of the body there is an ox, perhaps an apis: Down from
one of the neck-chains hangs a gilt image of the sun. She has ear-rings,
and double bracelets on both her arms: rings on each hand, and on every
finger of the left one, but two on the first: whereas the right hand has
but two: with this hand she holds, like Isis, a small gilt vessel, of the
Greek Spondeion-kind, which was a symbol of the fertility of the Nile,
when held by the goddess[81]. In the left hand there is a sort of fruit,
like an ear of corn, of a greenish cast. The leaden seals, mentioned by
Della Valle, still remain on the first Mummy.
Compare this description with that in his travels[82], and you’ll find
the Mummies of the royal cabinet to be the same with those, which were
taken out of a deep well or cave, covered with sand, and sold to this
celebrated traveller by an Egyptian; and I believe they were purchased
from his heirs at Rome, though in the manuscript catalogue, joined to
that cabinet of antiquities, there is not the least hint of any such
purchase.
I have no design to attempt an explication of the ornaments and figures;
some remarks of that kind having already been made by Della Valle. The
following observations concern only the inscription.
Public-domain text, read in full here on John Shaqi.
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