Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of artWinckelmann, Johann Joachim
Philosophy
Reflections on the painting and sculpture of the Greeks : $b with instructions for the connoisseur, and an essay on grace in works of art
Winckelmann, Johann Joachim
Aesthetics -- Early works to 1800; Art -- Philosophy; Art, Greek
The Egyptians, we know, employed a double character in expressing
themselves[83], the _sacred_ and the _vulgar_: the first was what is
called hieroglyphick; the other contained the characters of their
national language, and this is commonly said to be lost. All we know is
confined to the twenty-five letters of their alphabet.[84] Della Valle
seems inclined to give an instance of the contrary, in that inscription;
which Kircher, pushing his conjectures still farther, endeavours to lay
down as a foundation for a new scheme of his; and to support it by two
other remains of the same kind. For, he attempts to prove[85], that
the dialect was the only difference between the old Egyptian and Greek
tongue. According to his talent of finding what no body looks for, he
makes free with some ancient historical accounts; upon which he obtrudes
a fictitious sense, in order to make them tally with his scheme.
Herodotus, according to him, tells us, that King Psammetichus desired
some Greeks, who were perfect masters of their language, to go over to
Egypt, in order to instruct his people in the purity of the tongue. Hence
he concludes, that there was but one language in both countries. But that
Greek historian[86] gives an account entirely opposite: he tells us, that
Psammetichus, having received some services from the Carians and Ionians,
permitted them to settle in Egypt, for the instruction of youth in the
Greek language, in order to bring up interpreters.
There is no solidity in the rest of the Kircherian arguments; such as
those deduced from the frequent voyages of the Greek sages into Egypt,
and the mutual commerce between the two nations; which have not even
the strength of conjectures. For the very skill of Democritus, in the
sacred tongue of the Babylonians and Egyptians[87], proves only, that the
travelling sages learned the languages of the nations they conversed with.
Nor does the testimony of Diodorus, that Attica was originally an
Egyptian colony[88], seem to be here of any weight.
The inscription of the Mummy might indeed admit of Kircherian, or such
like conjectures, were the Mummy itself of the antiquity pretended by
Kircher. Cambyses, the conqueror of Egypt, partly exiled, and partly
killed the priests; from which fact Kircher confidently deduces as
consequences, the total abolition of the sacred rites, and from that the
ceasing to embalm bodies. He again appeals to a passage of Herodotus[89],
which, upon his word alone, others have as confidently quoted. Nay, a
certain pedant went so far as to pretend, that the Egyptian custom of
painting their dead, upon the varnished linnen of the Mummies, ceased
with the epoch of Cyrus[90].
Public-domain text, read in full here on John Shaqi.
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