Alwynne, quite unconscious of the trait, had at first done herself harm by her unfeigned interest in Clare's circle. It took the elder woman some suspicious weeks to realise that Alwynne lacked completely her own _dompteuse_ instinct, her craving for power; that she was as innocent of knowledge of her own charm as unwedded Eve; that her impulse to Clare was an impulse of the freshest, sweetest hero-worship; but the realisation came at last, and Clare opened her hungry heart to her, and, warmed by Alwynne's affection, wondered that she had hesitated so long. Alwynne never guessed that she had been doubted. Clare was proud of her genuine skill as a character reader--had been a little pleased to give Alwynne proof of her penetration when occasion arose; and Alwynne, less trained, less critical, thought her omniscient, and never dreamed that the motives of her obscurest actions, the sources of her most veiled references were not plain to Clare. Secure of comprehension, she went her way: any one in whom Clare was interested must needs attract her: so she took pains to become intimate with Clare's adorers, from a very real sympathy with their appreciation of Clare, whom she no more grudged to them than a priestess would grudge the unveiling of her goddess to the initiate. She received their confidences, learned their secrets, fanned the flame of their enthusiasms. Too lately a schoolgirl herself, too innocent and ignorant to dream of danger, she did her loyal utmost in furtherance of the cult, measuring the artificial and unbalanced emotions she encountered by the rule of her own saner affection, and, in her desire to see her friend appreciated, in all good faith utilised her degree of authority to encourage what an older woman would have recognised and combated as incipient hysteria. Gradually she became, through her frank sympathy, combined with her slightly indeterminate official position, the intermediary, the interpreter of Clare to the feverish school. Clare herself, her initial distrust over, found this useful. She could afford to be moody, erratic, whimsical; to be extravagant in her praises and reproofs; to deteriorate, at times, into a caricature of her own bizarre personality, with the comfortable assurance that there was ever a magician in her wake to steady her tottering shrines, mix oil with her vitriol, and prove her pinchbeck gold.