This etext was prepared from the 1910 Methuen and Co. edition by Jane
Duff; proofed by David Price, email ccx074@pglaf
BY THE SAME AUTHOR
REGINALD
“He is a delightful person. One would not like a rich and
octogenarian uncle to suppose that Reginald was one’s ideal of
conduct and conversion. Yet there is sometimes reason in his
paradoxical frivolities, and justice in his practical
performances.”—_Morning Post_.
“The book, by reason of its sustained brilliance, may be likened to a
Brock’s Benefit at the Crystal Palace.”—_Athenæum_.
“Mr. H. H. Munro (‘Saki’) has one of the lightest and most
entertaining touches of the humorists of the day . . . The book is
admirable comedy and free from malice and bad taste.”—_Queen_.
“We feel sure that those who have already made Reginald’s
acquaintance will be glad to renew it, and that those who know him
not will not regret it if they add him to the list of their
fictitious (albeit very real) acquaintances, not to say
friends.”—_Westminster Gazette_.
REGINALD IN
RUSSIA
AND OTHER SKETCHES
BY
SAKI
(H. H. MUNRO)
* * * * *
METHUEN & CO.
36 ESSEX STREET W.C.
LONDON
_First Published in 1910_.
TO
M. V. P.
CONTENTS
PAGE
REGINALD IN RUSSIA 1
THE RETICENCE OF LADY ANNE 7
THE LOST SANJAK 13
THE SEX THAT DOESN’T SHOP 25
THE BLOOD-FEUD OF TOAD-WATER 31
A YOUNG TURKISH CATASTROPHE 38
JUDKIN OF THE PARCELS 42
GABRIEL-ERNEST 47
THE SAINT AND THE GOBLIN 60
THE SOUL OF LAPLOSHKA 66
THE BAG 75
THE STRATEGIST 85
CROSS CURRENTS 94
THE BAKER’S DOZEN (A PLAYLET) 106
THE MOUSE 116
“_The Baker’s Dozen_” _originally appeared in_ “_The Journal of the
Leinster Regiment_.” _The other sketches have appeared from time to time
in the_ “_Westminster Gazette_.” _To the Editors of these publications I
am indebted for courteous permission to reproduce the stories in their
present form_.
REGINALD IN RUSSIA
Reginald sat in a corner of the Princess’s salon and tried to forgive the
furniture, which started out with an obvious intention of being Louis
Quinze, but relapsed at frequent intervals into Wilhelm II.
Public-domain text, read in full here on John Shaqi.
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